{"title":"Prints","description":"","products":[{"product_id":"in-the-market","title":"In the market","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePrint on Journal Collection:\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eIn this print collection, Nhuong uses newspaper as a base, then does a surface treatment so that it can finally be printed on top. Then, with each print, he repainted different patches so that although it was a print, each picture was a separate being.\u003cbr\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eCreative themes on this collection are temple culture, scenes of old life, old streets‰Û_ Because the material is newspaper, it has its own way of imprinting its own history.\u003c\/p\u003e","brand":"Luc Quoc Nhuong","offers":[{"title":"Default Title","offer_id":61999258599754,"sku":null,"price":1109.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Cu_iCh_38x44cm_1992_1200us.jpg?v=1786960649"},{"product_id":"mid-autumn-festival","title":"Mid-Autumn Festival","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePrint on Journal Collection:\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eIn this print collection, Nhuong uses newspaper as a base, then does a surface treatment so that it can finally be printed on top. Then, with each print, he repainted different patches so that although it was a print, each picture was a separate being.\u003cbr\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eCreative themes on this collection are Vietnamese culture, temple, scenes of old life, old streets‰Û_ Because the material is newspaper, it has its own way of imprinting its own history.\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eåÊ\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cem\u003eEdition 2\/5 YellowåÊ\u003c\/em\u003e\u003c\/p\u003e","brand":"Luc Quoc Nhuong","offers":[{"title":"Default Title","offer_id":61999258632522,"sku":null,"price":1389.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/H_iTrungThu_40x53cm_1991_edition-2_5-vang_1500us.jpg?v=1786960648"},{"product_id":"mid-autumn-festival-1","title":"Mid-Autumn Festival","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePrint on Journal Collection:\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eIn this print collection, Nhuong uses newspaper as a base, then does a surface treatment so that it can finally be printed on top. Then, with each print, he repainted different patches so that although it was a print, each picture was a separate being.\u003cbr\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eCreative themes on this collection are Vietnamese culture, temples, scenes of old life, old streets‰Û_ Because the material is newspaper, it has its own way of imprinting its own history.\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eåÊ\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cem\u003eEdition 1\/5 PurpleåÊ\u003c\/em\u003e\u003c\/p\u003e","brand":"Luc Quoc Nhuong","offers":[{"title":"Default Title","offer_id":61999258698058,"sku":null,"price":1389.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/H_iTrungThu_42x55cm_edition-1_5_tim_1500us_3406f799-a48d-4e07-959c-661f9e1cff45.jpg?v=1786960647"},{"product_id":"luc-quoc-nhuong-folk-smile","title":"Folk smile","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePrint on Journal Collection:\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eIn this print collection, Nhuong uses newspaper as a base, then does a surface treatment so that it can finally be printed on top. Then, with each print, he repainted different patches so that although it was a print, each picture was a separate being.\u003cbr\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eCreative themes on this collection are temple culture, scenes of old life, old streets‰Û_ Because the material is newspaper, it has its own way of imprinting its own history.\u003c\/p\u003e","brand":"Luc Quoc Nhuong","offers":[{"title":"Default Title","offer_id":61999258763594,"sku":null,"price":1294.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/N_c_idangian_38x29.5_1988_1400us_cae7a306-39f1-417c-abb6-dd47f294bb46.jpg?v=1786960644"},{"product_id":"mid-autumn-festival-2","title":"Mid-Autumn Festival","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePrint on Journal Collection:\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eIn this print collection, Nhuong uses newspaper as a base, then does a surface treatment so that it can finally be printed on top. Then, with each print, he repainted different patches so that although it was a print, each picture was a separate being.\u003cbr\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eCreative themes on this collection are Vetnamese culture, temples, scenes of old life, old streets‰Û_ Because the material is newspaper, it has its own way of imprinting its own history.\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003cem\u003eEdition 3\/5 WhiteåÊ\u003c\/em\u003e\u003c\/p\u003e","brand":"Luc Quoc Nhuong","offers":[{"title":"Default Title","offer_id":61999258796362,"sku":null,"price":1389.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/NgayH_iTrungThu_41x54_1991_edition-3_5-tr_ng_1500us_6ac7272b-c567-449b-add5-e7c62049004a.jpg?v=1786960644"},{"product_id":"in-the-temple","title":"In the pagoda","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePrint on Journal Collection:\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eIn this print collection, Nhuong uses newspaper as a base, then does a surface treatment so that it can finally be printed on top. Then, with each print, he repainted different patches so that although it was a print, each picture was a separate being.\u003cbr\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eCreative themes on this collection are temple culture, scenes of old life, old streets‰Û_ Because the material is newspaper, it has its own way of imprinting its own history.\u003c\/p\u003e","brand":"Luc Quoc Nhuong","offers":[{"title":"Default Title","offer_id":61999258894666,"sku":null,"price":1294.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/TrongChua_129x39cm_1991_1400us.jpg?v=1786960643"},{"product_id":"in-the-temple-1","title":"In the temple","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePrint on Journal Collection:\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eIn this print collection, Nhuong uses newspaper as a base, then does a surface treatment so that it can finally be printed on top. Then, with each print, he repainted different patches so that although it was a print, each picture was a separate being.\u003cbr\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eCreative themes on this collection are temple culture, scenes of old life, old streets‰Û_ Because the material is newspaper, it has its own way of imprinting its own history.\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eåÊ\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cem\u003eEdition 2\/5 Red\u003c\/em\u003e\u003c\/p\u003e","brand":"Luc Quoc Nhuong","offers":[{"title":"Default Title","offer_id":61999258927434,"sku":null,"price":1389.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Trongd_n_49x60cm_1989_ed.2_5.d_1500us_30632d4d-7f1b-4273-9e89-95c99c6e4819.jpg?v=1786960641"},{"product_id":"luc-quoc-nhuong-a-street-corner","title":"A street corner","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePrint on Journal Collection:\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eIn this print collection, Nhuong uses newspaper as a base, then does a surface treatment so that it can finally be printed on top. Then, with each print, he repainted different patches so that although it was a print, each picture was a separate being.\u003cbr\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eCreative themes on this collection are temple culture, scenes of old life, old streets‰Û_ Because the material is newspaper, it has its own way of imprinting its own history.\u003c\/p\u003e","brand":"Luc Quoc Nhuong","offers":[{"title":"Default Title","offer_id":61999259025738,"sku":null,"price":649.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Streetcorner_20x24.8cm_1988_700us_streetcorner.jpg?v=1786960639"},{"product_id":"iced-tea","title":"Iced tea","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePrint on Journal Collection:\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eIn this print collection, Nhuong uses newspaper as a base, then does a surface treatment so that it can finally be printed on top. Then, with each print, he repainted different patches so that although it was a print, each picture was a separate being.\u003cbr\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eCreative themes on this collection are temple culture, scenes of old life, old streets‰Û_ Because the material is newspaper, it has its own way of imprinting its own history.\u003c\/p\u003e","brand":"Luc Quoc Nhuong","offers":[{"title":"Default Title","offer_id":61999259058506,"sku":null,"price":924.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Untitled_28.8x37.8_1992_1000us_quann_c_eb8bc84f-a8c3-442f-941a-eaca4e49a688.jpg?v=1786960640"},{"product_id":"luc-quoc-nhuong-flower-market","title":"Flower Market","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePrint on Journal Collection:\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eIn this print collection, Nhuong uses newspaper as a base, then does a surface treatment so that it can finally be printed on top. Then, with each print, he repainted different patches so that although it was a print, each picture was a separate being.\u003cbr\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eCreative themes on this collection are temple culture, scenes of old life, old streets‰Û_ Because the material is newspaper, it has its own way of imprinting its own history.\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003cem\u003eEdition 1\/2 BlueåÊ\u003c\/em\u003e\u003c\/p\u003e","brand":"Luc Quoc Nhuong","offers":[{"title":"Default Title","offer_id":61999259091274,"sku":null,"price":739.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/FlowerMarket_38.5x24cm_1987_800us_c6cd65f1-22ab-453b-9d19-e1a6ee014131.jpg?v=1786960637"},{"product_id":"luc-quoc-nhuong-flower-market-1","title":"Flower Market","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePrint on Journal Collection:\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eIn this print collection, Nhuong uses newspaper as a base, then does a surface treatment so that it can finally be printed on top. Then, with each print, he repainted different patches so that although it was a print, each picture was a separate being.\u003cbr\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eCreative themes on this collection are temple culture, scenes of old life, old streets‰Û_ Because the material is newspaper, it has its own way of imprinting its own history.\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eåÊ\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cem\u003eEdition 2\/2 PurpleåÊ\u003c\/em\u003e\u003c\/p\u003e","brand":"Luc Quoc Nhuong","offers":[{"title":"Default Title","offer_id":61999259124042,"sku":null,"price":739.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Flowermarket_Purple_30x25.5cm_1987_800us.jpg?v=1786960639"},{"product_id":"luc-quoc-nhuong-a-couple","title":"A couple","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePrint on Journal Collection:\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eIn this print collection, Nhuong uses newspaper as a base, then does a surface treatment so that it can finally be printed on top. Then, with each print, he repainted different patches so that although it was a print, each picture was a separate being.\u003cbr\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eCreative themes on this collection are temple culture, scenes of old life, old streets‰Û_ Because the material is newspaper, it has its own way of imprinting its own history.\u003c\/p\u003e","brand":"Luc Quoc Nhuong","offers":[{"title":"Default Title","offer_id":61999259189578,"sku":null,"price":1109.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Acouple_30x40cm_1989_1200us_9d486741-f609-46e1-b18a-ce8f1beb2111.jpg?v=1786960635"},{"product_id":"luc-quoc-nhuong-neighbor","title":"Neighbor","description":"\u003cp class=\"p1\"\u003e\u003cb\u003ePrint on Journal Collection:\u003c\/b\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eIn this print collection, Nhuong uses newspaper as a base, then does a surface treatment so that it can finally be printed on top. Then, with each print, he repainted different patches so that although it was a print, each picture was a separate being.\u003cbr\u003e\u003c\/p\u003e\r\u003cp class=\"p1\"\u003eCreative themes on this collection are temple culture, scenes of old life, old streets‰Û_ Because the material is newspaper, it has its own way of imprinting its own history.\u003c\/p\u003e","brand":"Luc Quoc Nhuong","offers":[{"title":"Default Title","offer_id":61999259156810,"sku":null,"price":832.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Neighbor_21.5x26cm_1989_900us_e3936e4f-df46-4df3-8171-04727f43eb70.jpg?v=1786960635"},{"product_id":"i-see-a-premonition-37","title":"I see a Premonition (37)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe works in this series are appropriation of the famous paintings of beautiful women from Baroque and mostly Rococo periods including the maids, queens, princesses and muses alike. Heaven or Earth, the objectification of the woman is always there. The reason to choose the western paintings is how we fantasize the beauty of white women with flawless, hairless skin and tender breasts (the prominent features of the paintings from that era, also the attributes of the Hoor narrated by different scholars).\u003c\/p\u003e\r\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003eTanveer has deliberately removed the bodily features of the painted women into white (referring the white skin like bright moon) and shredded the work and reassembled it to question the narration of the beauty with distortion.\u003cbr\u003e\u003c\/p\u003e","brand":"Imrana Tanveer","offers":[{"title":"Default Title","offer_id":61999261581642,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/ImranaTanveer_ISeeaPremonition_37_InkjetPrintonArtPaper_andGoldZariThread_Woven_14.5x10.5inches_03da29c3-179d-4567-a1fc-2b0152ef9a61.jpg?v=1786960598"},{"product_id":"i-see-a-premonition-32","title":"I see a Premonition (32)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe works in this series are appropriation of the famous paintings of beautiful women from Baroque and mostly Rococo periods including the maids, queens, princesses and muses alike. Heaven or Earth, theåÊobjectification of the woman is always there. The reason to choose the western paintings is how we fantasize the beauty of white women with flawless, hairless skin and tender breasts (the prominent features of the paintings from that era, also the attributes of the Hoor narrated by different scholars).\u003c\/p\u003e\r\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eTanveer has deliberately removed the bodily features of the painted women into white (referring the white skin like bright moon) and shredded the work and reassembled it to question the narration of the beauty with distortion.\u003c\/p\u003e","brand":"Imrana Tanveer","offers":[{"title":"Default Title","offer_id":61999261647178,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/ImranaTanveer_ISeeaPremonition_32_InkjetPrintonArtPaper_andGoldZariThread_Woven_14.5x10.5inches_9c026e4e-34e0-47cc-8cf4-46b14ee504b7.jpg?v=1786960596"},{"product_id":"i-see-a-premonition-33","title":"I see a Premonition (33)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe works in this series are appropriation of the famous paintings of beautiful women from Baroque and mostly Rococo periods including the maids, queens, princesses and muses alike. Heaven or Earth, theåÊobjectification of the woman is always there. The reason to choose the western paintings is how we fantasize the beauty of white women with flawless, hairless skin and tender breasts (the prominent features of the paintings from that era, also the attributes of the Hoor narrated by different scholars).\u003c\/p\u003e\r\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eTanveer has deliberately removed the bodily features of the painted women into white (referring the white skin like bright moon) and shredded the work and reassembled it to question the narration of the beauty with distortion.\u003c\/p\u003e","brand":"Imrana Tanveer","offers":[{"title":"Default Title","offer_id":61999261614410,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/ImranaTanveer_ISeeaPremonition_33_InkjetPrintonArtPaper_andGoldZariThread_Woven_14.5x10.5inches_b15386a8-0de5-4c44-abff-167b9624e8ec.jpg?v=1786960597"},{"product_id":"i-see-a-premonition-25","title":"I see a Premonition (25)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe works in this series are appropriation of the famous paintings of beautiful women from Baroque and mostly Rococo periods including the maids, queens, princesses and muses alike. Heaven or Earth, theåÊobjectification of the woman is always there. The reason to choose the western paintings is how we fantasize the beauty of white women with flawless, hairless skin and tender breasts (the prominent features of the paintings from that era, also the attributes of the Hoor narrated by different scholars).\u003c\/p\u003e\r\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eTanveer has deliberately removed the bodily features of the painted women into white (referring the white skin like bright moon) and shredded the work and reassembled it to question the narration of the beauty with distortion.\u003c\/p\u003e","brand":"Imrana Tanveer","offers":[{"title":"Default Title","offer_id":61999261679946,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/ImranaTanveer_ISeeaPremonition_25_InkjetPrintonArtPaper_andGoldZariThread_Woven_14.5x10.5inches_3a8dd2f0-8bd6-4540-8024-fda5cdb0ab94.jpg?v=1786960594"},{"product_id":"i-see-a-premonition-30","title":"I see a Premonition (30)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe works in this series are appropriation of the famous paintings of beautiful women from Baroque and mostly Rococo periods including the maids, queens, princesses and muses alike. Heaven or Earth, the objectification of the woman is always there. The reason to choose the western paintings is how we fantasize the beauty of white women with flawless, hairless skin and tender breasts (the prominent features of the paintings from that era, also the attributes of the Hoor narrated by different scholars).åÊ\u003c\/p\u003e\r\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eTanveer has deliberately removed the bodily features of the painted women into white (referring the white skin like bright moon) and shredded the work and reassembled it to question the narration of the beauty with distortion.\u003c\/p\u003e","brand":"Imrana Tanveer","offers":[{"title":"Default Title","offer_id":61999261712714,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/ImranaTanveer_ISeeaPremonition_30_InkjetPrintonArtPaper_andGoldZariThread_Woven_14.5x10.5inches_1e3a6a60-69e7-4f15-b6be-9adc549f5d0c.jpg?v=1786960595"},{"product_id":"i-see-a-premonition-12","title":"I see a Premonition (12)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe works in this series are appropriation of the famous paintings of beautiful women from Baroque and mostly Rococo periods including the maids, queens, princesses and muses alike. Heaven or Earth, theåÊobjectification of the woman is always there. The reason to choose the western paintings is how we fantasize the beauty of white women with flawless, hairless skin and tender breasts (the prominent features of the paintings from that era, also the attributes of the Hoor narrated by different scholars).\u003c\/p\u003e\r\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eTanveer has deliberately removed the bodily features of the painted women into white (referring the white skin like bright moon) and shredded the work and reassembled it to question the narration of the beauty with distortion.\u003c\/p\u003e","brand":"Imrana Tanveer","offers":[{"title":"Default Title","offer_id":61999261909322,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/ImranaTanveer_ISeeaPremonition_12_InkjetPrintonArtPaper_andGoldZariThread_Woven_14.5x10.5inches_011bae65-3e50-462b-b03f-78e320bd63ca.jpg?v=1786960594"},{"product_id":"i-see-a-premonition-24","title":"I see a Premonition (24)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe works in this series are appropriation of the famous paintings of beautiful women from Baroque and mostly Rococo periods including the maids, queens, princesses and muses alike. Heaven or Earth, theåÊobjectification of the woman is always there. The reason to choose the western paintings is how we fantasize the beauty of white women with flawless, hairless skin and tender breasts (the prominent features of the paintings from that era, also the attributes of the Hoor narrated by different scholars).\u003c\/p\u003e\r\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eTanveer has deliberately removed the bodily features of the painted women into white (referring the white skin like bright moon) and shredded the work and reassembled it to question the narration of the beauty with distortion.\u003c\/p\u003e","brand":"Imrana Tanveer","offers":[{"title":"Default Title","offer_id":61999261942090,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/ImranaTanveer_ISeeaPremonition_24_InkjetPrintonArtPaper_andGoldZariThread_Woven_14.5x10.5inches_152e37ea-cb16-406f-89fc-ea15fa8e2ff9.jpg?v=1786960593"},{"product_id":"i-see-a-premonition-10","title":"I see a Premonition (10)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eThe works in this series are appropriation of the famous paintings of beautiful women from Baroque and mostly Rococo periods including the maids, queens, princesses and muses alike. Heaven or Earth, theåÊobjectification of the woman is always there. The reason to choose the western paintings is how we fantasize the beauty of white women with flawless, hairless skin and tender breasts (the prominent features of the paintings from that era, also the attributes of the Hoor narrated by different scholars).\u003c\/p\u003e\r\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eTanveer has deliberately removed the bodily features of the painted women into white (referring the white skin like bright moon) and shredded the work and reassembled it to question the narration of the beauty with distortion.\u003c\/p\u003e","brand":"Imrana Tanveer","offers":[{"title":"Default Title","offer_id":61999262138698,"sku":null,"price":800.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/ImranaTanveer_ISeeaPremonition_10_InkjetPrintonArtPaper_andGoldZariThread_Woven_14.5x10.5inches_746107dd-72c6-4ae1-9ba3-40b858e073ea.jpg?v=1786960592"},{"product_id":"king-kong-yang-maolin","title":"Jataka Tale of Beloved King Kong Vajradhara","description":"\u003cdiv class=\"page\" title=\"Page 1\" data-mce-fragment=\"1\"\u003e\r\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\r\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\r\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSerie nå¡2 of 50 edition numbered and signed by the artist Yang Maolin from 1\/50 to 50\/50.\u003c\/strong\u003e\u003c\/h3\u003e\r\u003cul\u003e\r\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaper : 56 x 76 cm\u003c\/span\u003e\u003c\/li\u003e\r\u003cli\u003eImage : 41,5 x 59,5 cm\u003c\/li\u003e\r\u003cli\u003ePrinter : Les Ateliers Moret (Paris, France)\u003c\/li\u003e\r\u003cli\u003eUnframed\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cdiv title=\"Page 1\" class=\"page\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003e----\u003c\/span\u003e\u003c\/p\u003e\r\u003ch3\u003e\u003cspan\u003eTemple of sublime beauty by Yang MaolinåÊ\u003c\/span\u003e\u003c\/h3\u003e\r\u003cp\u003e\u003cem\u003eVenice Biennial 2009 presented by MoCA Taipei curated by Schoeber Felix, June- August 2009 \u003c\/em\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eYang Maolin at the 2009 Venice Biennial | \u003cem\u003eS. Giovanni e Paolo, Sala S. Tomaso\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eYang Maolin‰۪s double exhibition in Taipei and Venice will probe into the proliferation of \u003c\/span\u003e\u003cspan\u003esemi- religious elements in modern secular culture. The starting point of this multifold exploration will be the space of the museum, which, as has been observed by Carol \u003c\/span\u003e\u003cspan\u003eDuncan in her 1995 article \"museum as ritual\", in its space of heightened aesthetic attention provides a \"sublime‰ÛÏ and therefore \"liminal‰ÛÏ or semi\u003c\/span\u003e\u003cspan\u003e- religious experience, albeit its designation as a space of secular science. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eIn Taipei, Yang Maolin will transform MoCA Taipei into a temple of manga and Hollywood superheroes, by placing them in the disguise of Nara- style buddhist bronze deities front of the building, transforming MoCA Taipei into the site of a special religious ceremony dedicated to the appearance of those new deities. This can be further illustrated \u003c\/span\u003e\u003cspan\u003ewith Slavoj Zizek‰۪s observations on Hollywood cinema: on the surface a medium of \u003c\/span\u003e\u003cspan\u003einnocent entertainment geared to please a postmodern market, yet a closer look reveals numerous elements of religion.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA classic example is the cartoon character \"superman‰ÛÏ, who in his selfless quest for the \u003c\/span\u003e\u003cspan\u003esalvation of humankind, and his genealogy as the son of an outer- space \/ heavenly father evokes Jesus for many aspects. Yang Maolin transforms him and other superheroes such as King Kong, Godzilla and Peter Pan into buddhist deities, assigning each a position in his new pantheon, by placing them like door- guardians on top of ferocious beast, or let them stand on animals and lotus flowers like bodhisatvas, or collocates them on a throne with a big halo on the back like a buddha. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eIn Venice, the Sala S. Tomaso, part of the chiesa S Giovanni e Paolo, will be transformed into a temple of this pantheon of superheroes. Especially in the case of film heroes such as King Kong (1933), Godzilla (1954), and Superman (1933\/1938), one could argue that there is a strong link between their emergence and the growing paranoia of what has been called the contempor\u003c\/span\u003e\u003cspan\u003eary \"risk society\": a society where the development of modern \u003c\/span\u003e\u003cspan\u003escience has created a growing disparagy between knowledge and the potential risks included in any decision. The classic example is nuclear technology: albeit its known benefits, its use entails dangers that can potentially put an end to human life on the globe. \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv title=\"Page 2\" class=\"page\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eIn fact, most superheroes are linked to science and technology in one way or another: Godzilla is the result of genetic alteration after nuclear tests in the South Pacific, Superman is the last representative from a technologically more advanced society in outer space whose home planet has exploded. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003eåÊ\u003c\/p\u003e\r\u003cp\u003e\u003cstrong\u003eMoCA Taipei \u003c\/strong\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eMoCA Taipei is the first museum in Taiwan dedicated exclusively to contemporary art. Built in 1921 as a typical example of historicist architecture during the period of japanese colonial rule, the two- storey and perfectly symmetrcial brick building features a main entrance hall and a bell tower, as well as many small and big rooms. In the japanese period, it was home to the Jan Cheng Elementary School. After the end of WWII, it became the office of Taipei city government. In 2001, it was transformed into a museum for contemporary art, while at the same time being designated a historical landmark. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Yang Maolin","offers":[{"title":"Default Title","offer_id":61999268102474,"sku":null,"price":1750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s02t02JatakaTaleofBelovedKingKongVajradhara_9f24b976-2dee-4098-b5c5-067118d1e5d9.jpg?v=1786960527"},{"product_id":"alice-s-adventures-in-wonderland-yang-maolin","title":"Alice‰۪s Adventures in Wonderland - Alice Hulk Deva","description":"\u003cdiv class=\"page\" title=\"Page 1\" data-mce-fragment=\"1\"\u003e\r\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\r\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\r\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSerie nå¡2 of 50 edition numbered and signed by the artist Yang Maolin from 1\/50 to 50\/50.\u003c\/strong\u003e\u003c\/h3\u003e\r\u003cul\u003e\r\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaper : 56 x 76 cm\u003c\/span\u003e\u003c\/li\u003e\r\u003cli\u003eImage : 30 x 59,5 cm\u003c\/li\u003e\r\u003cli\u003ePrinter : Les Ateliers Moret (Paris, France)\u003c\/li\u003e\r\u003cli\u003eUnframed\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cdiv title=\"Page 1\" class=\"page\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003e----\u003c\/span\u003e\u003c\/p\u003e\r\u003ch3\u003e\u003cspan\u003eTemple of sublime beauty by Yang MaolinåÊ\u003c\/span\u003e\u003c\/h3\u003e\r\u003cp\u003e\u003cem\u003eVenice Biennial 2009 presented by MoCA Taipei curated by Schoeber Felix, June- August 2009 \u003c\/em\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eYang Maolin at the 2009 Venice Biennial | \u003cem\u003eS. Giovanni e Paolo, Sala S. Tomaso\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eYang Maolin‰۪s double exhibition in Taipei and Venice will probe into the proliferation of \u003c\/span\u003e\u003cspan\u003esemi- religious elements in modern secular culture. The starting point of this multifold exploration will be the space of the museum, which, as has been observed by Carol \u003c\/span\u003e\u003cspan\u003eDuncan in her 1995 article \"museum as ritual\", in its space of heightened aesthetic attention provides a \"sublime‰ÛÏ and therefore \"liminal‰ÛÏ or semi\u003c\/span\u003e\u003cspan\u003e- religious experience, albeit its designation as a space of secular science. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eIn Taipei, Yang Maolin will transform MoCA Taipei into a temple of manga and Hollywood superheroes, by placing them in the disguise of Nara- style buddhist bronze deities front of the building, transforming MoCA Taipei into the site of a special religious ceremony dedicated to the appearance of those new deities. This can be further illustrated \u003c\/span\u003e\u003cspan\u003ewith Slavoj Zizek‰۪s observations on Hollywood cinema: on the surface a medium of \u003c\/span\u003e\u003cspan\u003einnocent entertainment geared to please a postmodern market, yet a closer look reveals numerous elements of religion.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA classic example is the cartoon character \"superman‰ÛÏ, who in his selfless quest for the \u003c\/span\u003e\u003cspan\u003esalvation of humankind, and his genealogy as the son of an outer- space \/ heavenly father evokes Jesus for many aspects. Yang Maolin transforms him and other superheroes such as King Kong, Godzilla and Peter Pan into buddhist deities, assigning each a position in his new pantheon, by placing them like door- guardians on top of ferocious beast, or let them stand on animals and lotus flowers like bodhisatvas, or collocates them on a throne with a big halo on the back like a buddha. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eIn Venice, the Sala S. Tomaso, part of the chiesa S Giovanni e Paolo, will be transformed into a temple of this pantheon of superheroes. Especially in the case of film heroes such as King Kong (1933), Godzilla (1954), and Superman (1933\/1938), one could argue that there is a strong link between their emergence and the growing paranoia of what has been called the contempor\u003c\/span\u003e\u003cspan\u003eary \"risk society\": a society where the development of modern \u003c\/span\u003e\u003cspan\u003escience has created a growing disparagy between knowledge and the potential risks included in any decision. The classic example is nuclear technology: albeit its known benefits, its use entails dangers that can potentially put an end to human life on the globe. \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv title=\"Page 2\" class=\"page\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eIn fact, most superheroes are linked to science and technology in one way or another: Godzilla is the result of genetic alteration after nuclear tests in the South Pacific, Superman is the last representative from a technologically more advanced society in outer space whose home planet has exploded. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003eåÊ\u003c\/p\u003e\r\u003cp\u003e\u003cstrong\u003eMoCA Taipei \u003c\/strong\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eMoCA Taipei is the first museum in Taiwan dedicated exclusively to contemporary art. Built in 1921 as a typical example of historicist architecture during the period of japanese colonial rule, the two- storey and perfectly symmetrcial brick building features a main entrance hall and a bell tower, as well as many small and big rooms. In the japanese period, it was home to the Jan Cheng Elementary School. After the end of WWII, it became the office of Taipei city government. In 2001, it was transformed into a museum for contemporary art, while at the same time being designated a historical landmark. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Yang Maolin","offers":[{"title":"Default Title","offer_id":61999268069706,"sku":null,"price":1750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s02t04Alice_sAdventuresinWonderland-AliceHulkDeva_26ad1105-d883-4d20-aede-4b2e529e63fc.jpg?v=1786960528"},{"product_id":"jataka-tale-of-beloved-mermaid-vajradhara-yang-maolin","title":"Jataka Tale of Beloved Mermaid Vajradhara","description":"\u003cdiv class=\"page\" title=\"Page 1\" data-mce-fragment=\"1\"\u003e\r\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\r\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\r\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSerie nå¡2 of 50 edition numbered and signed by the artist Yang Maolin from 1\/50 to 50\/50.\u003c\/strong\u003e\u003c\/h3\u003e\r\u003cul\u003e\r\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaper : 56 x 76 cm\u003c\/span\u003e\u003c\/li\u003e\r\u003cli\u003eImage : 41,5 x 59,5 cm\u003c\/li\u003e\r\u003cli\u003ePrinter : Les Ateliers Moret (Paris, France)\u003c\/li\u003e\r\u003cli\u003eUnframed\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cdiv title=\"Page 1\" class=\"page\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003e----\u003c\/span\u003e\u003c\/p\u003e\r\u003ch3\u003e\u003cspan\u003eTemple of sublime beauty by Yang MaolinåÊ\u003c\/span\u003e\u003c\/h3\u003e\r\u003cp\u003e\u003cem\u003eVenice Biennial 2009 presented by MoCA Taipei curated by Schoeber Felix, June- August 2009 \u003c\/em\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eYang Maolin at the 2009 Venice Biennial | \u003cem\u003eS. Giovanni e Paolo, Sala S. Tomaso\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eYang Maolin‰۪s double exhibition in Taipei and Venice will probe into the proliferation of \u003c\/span\u003e\u003cspan\u003esemi- religious elements in modern secular culture. The starting point of this multifold exploration will be the space of the museum, which, as has been observed by Carol \u003c\/span\u003e\u003cspan\u003eDuncan in her 1995 article \"museum as ritual\", in its space of heightened aesthetic attention provides a \"sublime‰ÛÏ and therefore \"liminal‰ÛÏ or semi\u003c\/span\u003e\u003cspan\u003e- religious experience, albeit its designation as a space of secular science. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eIn Taipei, Yang Maolin will transform MoCA Taipei into a temple of manga and Hollywood superheroes, by placing them in the disguise of Nara- style buddhist bronze deities front of the building, transforming MoCA Taipei into the site of a special religious ceremony dedicated to the appearance of those new deities. This can be further illustrated \u003c\/span\u003e\u003cspan\u003ewith Slavoj Zizek‰۪s observations on Hollywood cinema: on the surface a medium of \u003c\/span\u003e\u003cspan\u003einnocent entertainment geared to please a postmodern market, yet a closer look reveals numerous elements of religion.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA classic example is the cartoon character \"superman‰ÛÏ, who in his selfless quest for the \u003c\/span\u003e\u003cspan\u003esalvation of humankind, and his genealogy as the son of an outer- space \/ heavenly father evokes Jesus for many aspects. Yang Maolin transforms him and other superheroes such as King Kong, Godzilla and Peter Pan into buddhist deities, assigning each a position in his new pantheon, by placing them like door- guardians on top of ferocious beast, or let them stand on animals and lotus flowers like bodhisatvas, or collocates them on a throne with a big halo on the back like a buddha. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eIn Venice, the Sala S. Tomaso, part of the chiesa S Giovanni e Paolo, will be transformed into a temple of this pantheon of superheroes. Especially in the case of film heroes such as King Kong (1933), Godzilla (1954), and Superman (1933\/1938), one could argue that there is a strong link between their emergence and the growing paranoia of what has been called the contempor\u003c\/span\u003e\u003cspan\u003eary \"risk society\": a society where the development of modern \u003c\/span\u003e\u003cspan\u003escience has created a growing disparagy between knowledge and the potential risks included in any decision. The classic example is nuclear technology: albeit its known benefits, its use entails dangers that can potentially put an end to human life on the globe. \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv title=\"Page 2\" class=\"page\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eIn fact, most superheroes are linked to science and technology in one way or another: Godzilla is the result of genetic alteration after nuclear tests in the South Pacific, Superman is the last representative from a technologically more advanced society in outer space whose home planet has exploded. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003eåÊ\u003c\/p\u003e\r\u003cp\u003e\u003cstrong\u003eMoCA Taipei \u003c\/strong\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eMoCA Taipei is the first museum in Taiwan dedicated exclusively to contemporary art. Built in 1921 as a typical example of historicist architecture during the period of japanese colonial rule, the two- storey and perfectly symmetrcial brick building features a main entrance hall and a bell tower, as well as many small and big rooms. In the japanese period, it was home to the Jan Cheng Elementary School. After the end of WWII, it became the office of Taipei city government. In 2001, it was transformed into a museum for contemporary art, while at the same time being designated a historical landmark. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Yang Maolin","offers":[{"title":"Default Title","offer_id":61999268168010,"sku":null,"price":1750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s02t01JatakaTaleofBelovedMermaidVajradhara_e297a79b-011b-41f2-969a-d5aedb3dca80.jpg?v=1786960526"},{"product_id":"jatale-of-extraordinary-love-vajradhara-yang-maolin","title":"Jatale of Extraordinary Love Vajradhara","description":"\u003cdiv class=\"page\" title=\"Page 1\" data-mce-fragment=\"1\"\u003e\r\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\r\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\r\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSerie nå¡2 of 50 edition numbered and signed by the artist Yang Maolin from 1\/50 to 50\/50.\u003c\/strong\u003e\u003c\/h3\u003e\r\u003cul\u003e\r\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaper : 56 x 76 cm\u003c\/span\u003e\u003c\/li\u003e\r\u003cli\u003eImage : 41,5 x 60 cm\u003c\/li\u003e\r\u003cli\u003ePrinter : Les Ateliers Moret (Paris, France)\u003c\/li\u003e\r\u003cli\u003eUnframed\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cdiv title=\"Page 1\" class=\"page\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003e----\u003c\/span\u003e\u003c\/p\u003e\r\u003ch3\u003e\u003cspan\u003eTemple of sublime beauty by Yang MaolinåÊ\u003c\/span\u003e\u003c\/h3\u003e\r\u003cp\u003e\u003cem\u003eVenice Biennial 2009 presented by MoCA Taipei curated by Schoeber Felix, June- August 2009 \u003c\/em\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eYang Maolin at the 2009 Venice Biennial | \u003cem\u003eS. Giovanni e Paolo, Sala S. Tomaso\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eYang Maolin‰۪s double exhibition in Taipei and Venice will probe into the proliferation of \u003c\/span\u003e\u003cspan\u003esemi- religious elements in modern secular culture. The starting point of this multifold exploration will be the space of the museum, which, as has been observed by Carol \u003c\/span\u003e\u003cspan\u003eDuncan in her 1995 article \"museum as ritual\", in its space of heightened aesthetic attention provides a \"sublime‰ÛÏ and therefore \"liminal‰ÛÏ or semi\u003c\/span\u003e\u003cspan\u003e- religious experience, albeit its designation as a space of secular science. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eIn Taipei, Yang Maolin will transform MoCA Taipei into a temple of manga and Hollywood superheroes, by placing them in the disguise of Nara- style buddhist bronze deities front of the building, transforming MoCA Taipei into the site of a special religious ceremony dedicated to the appearance of those new deities. This can be further illustrated \u003c\/span\u003e\u003cspan\u003ewith Slavoj Zizek‰۪s observations on Hollywood cinema: on the surface a medium of \u003c\/span\u003e\u003cspan\u003einnocent entertainment geared to please a postmodern market, yet a closer look reveals numerous elements of religion.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eA classic example is the cartoon character \"superman‰ÛÏ, who in his selfless quest for the \u003c\/span\u003e\u003cspan\u003esalvation of humankind, and his genealogy as the son of an outer- space \/ heavenly father evokes Jesus for many aspects. Yang Maolin transforms him and other superheroes such as King Kong, Godzilla and Peter Pan into buddhist deities, assigning each a position in his new pantheon, by placing them like door- guardians on top of ferocious beast, or let them stand on animals and lotus flowers like bodhisatvas, or collocates them on a throne with a big halo on the back like a buddha. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eIn Venice, the Sala S. Tomaso, part of the chiesa S Giovanni e Paolo, will be transformed into a temple of this pantheon of superheroes. Especially in the case of film heroes such as King Kong (1933), Godzilla (1954), and Superman (1933\/1938), one could argue that there is a strong link between their emergence and the growing paranoia of what has been called the contempor\u003c\/span\u003e\u003cspan\u003eary \"risk society\": a society where the development of modern \u003c\/span\u003e\u003cspan\u003escience has created a growing disparagy between knowledge and the potential risks included in any decision. The classic example is nuclear technology: albeit its known benefits, its use entails dangers that can potentially put an end to human life on the globe. \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003cdiv title=\"Page 2\" class=\"page\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eIn fact, most superheroes are linked to science and technology in one way or another: Godzilla is the result of genetic alteration after nuclear tests in the South Pacific, Superman is the last representative from a technologically more advanced society in outer space whose home planet has exploded. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003eåÊ\u003c\/p\u003e\r\u003cp\u003e\u003cstrong\u003eMoCA Taipei \u003c\/strong\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eMoCA Taipei is the first museum in Taiwan dedicated exclusively to contemporary art. Built in 1921 as a typical example of historicist architecture during the period of japanese colonial rule, the two- storey and perfectly symmetrcial brick building features a main entrance hall and a bell tower, as well as many small and big rooms. In the japanese period, it was home to the Jan Cheng Elementary School. After the end of WWII, it became the office of Taipei city government. In 2001, it was transformed into a museum for contemporary art, while at the same time being designated a historical landmark. \u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Yang Maolin","offers":[{"title":"Default Title","offer_id":61999268200778,"sku":null,"price":1750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s02t03JataleofExtraordinaryLoveVajradhara_c4e342fb-0e46-4c46-83f8-a8b9cae8852d.jpg?v=1786960525"},{"product_id":"leda-and-the-swan","title":"Leda and the Swan","description":"\u003ch3 class=\"p1\"\u003eIn the set of 8 engravings (helio-engravings) created in 2009 framed.\u003c\/h3\u003e\r\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSerie nå¡3 of 30 edition numbered and signed by the artist Zhou Tiehai from 1\/30 to 30\/30.\u003c\/strong\u003e\u003c\/h4\u003e\r\u003cul\u003e\r\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaper : 30 x 42 cm\u003c\/span\u003e\u003c\/li\u003e\r\u003cli\u003eFrame: 42 x 54 x 4 cmåÊ\u003c\/li\u003e\r\u003cli\u003ePrinter : Les Ateliers Moret (Paris, France)\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cp\u003eåÊ\u003c\/p\u003e\r\u003cdiv title=\"Page 9\" class=\"page\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eZhou Tiehai (1966 Shanghai) is one of China's leading conceptual artists and also one of Shanghai's art stars. \u003cmeta charset=\"utf-8\"\u003eZhou co-founded Shanghai's first international art fair, SH Contemporary, in 2007, assumed the directorship of the Minsheng Art Museum in 2010, and founded West Bund Art \u0026amp; Design in 2014.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eZhou first gained notice in the mid 1990s, when he began poking fun at the absurdities lurking behind China's contemporary art scene. His art pieces are widely recognized all over the world. His most popular works are a series of \"Joe Camel\" paintings that show the former cigarette ad icon in a variety of poses.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eåÊZhou Tiehai also made a splash in the early to mid 1990s when he began creating fake magazine covers that portrayed him as a rising star in the art world. His early works suggested that who's hot and who's not in the art world had little to do with talent and more to do with connections and currying favor with a handful of collectors, curators and journalists. The artist lives and works in Shanghai. His artworks have been exhibited by the most prestigious institutions both at home and abroad. He also has a wide base of art collectors and is auctioned by the most famous auction houses \u003c\/span\u003e\u003cspan\u003e(Christie‰۪s, Sotheby‰۪s, Artcurial...) \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Zhou Tiehai","offers":[{"title":"Default Title","offer_id":61999268233546,"sku":null,"price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s03t08LedaandtheSwan_fa7ab196-cb94-404b-9146-12eac4b44dfe.jpg?v=1786960523"},{"product_id":"louis-de-france","title":"Louis de France_Le Grand Dauphin","description":"\u003ch3 class=\"p1\"\u003eIn the set of 8 engravings (helio-engravings) created in 2009 framed.\u003c\/h3\u003e\r\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSerie nå¡3 of 30 edition numbered and signed by the artist Zhou Tiehai from 1\/30 to 30\/30.\u003c\/strong\u003e\u003c\/h4\u003e\r\u003cul\u003e\r\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaper : 30 x 42 cm\u003c\/span\u003e\u003c\/li\u003e\r\u003cli\u003eFrame: 42 x 54 x 4 cmåÊ\u003c\/li\u003e\r\u003cli\u003ePrinter : Les Ateliers Moret (Paris, France)\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\r\u003cdiv title=\"Page 9\" class=\"page\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eZhou Tiehai (1966 Shanghai) is one of China's leading conceptual artists and also one of Shanghai's art stars. \u003cmeta charset=\"utf-8\"\u003eZhou co-founded Shanghai's first international art fair, SH Contemporary, in 2007, assumed the directorship of the Minsheng Art Museum in 2010, and founded West Bund Art \u0026amp; Design in 2014.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eZhou first gained notice in the mid 1990s, when he began poking fun at the absurdities lurking behind China's contemporary art scene. His art pieces are widely recognized all over the world. His most popular works are a series of \"Joe Camel\" paintings that show the former cigarette ad icon in a variety of poses.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eåÊZhou Tiehai also made a splash in the early to mid 1990s when he began creating fake magazine covers that portrayed him as a rising star in the art world. His early works suggested that who's hot and who's not in the art world had little to do with talent and more to do with connections and currying favor with a handful of collectors, curators and journalists. The artist lives and works in Shanghai. His artworks have been exhibited by the most prestigious institutions both at home and abroad. He also has a wide base of art collectors and is auctioned by the most famous auction houses \u003c\/span\u003e\u003cspan\u003e(Christie‰۪s, Sotheby‰۪s, Artcurial...) \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Zhou Tiehai","offers":[{"title":"Default Title","offer_id":61999268299082,"sku":null,"price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s03t01LouisdeFrance_LeGrandDauphin_40125f1e-4e54-4297-ad5a-550ab4606470.jpg?v=1786960522"},{"product_id":"axel-von-fersel-zhou-tiehai","title":"Axel Von Fersel","description":"\u003ch3 class=\"p1\"\u003eIn the set of 8 engravings (helio-engravings) created in 2009 framed.\u003c\/h3\u003e\r\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSerie nå¡3 of 30 edition numbered and signed by the artist Zhou Tiehai from 1\/30 to 30\/30.\u003c\/strong\u003e\u003c\/h4\u003e\r\u003cul\u003e\r\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaper : 30 x 42 cm\u003c\/span\u003e\u003c\/li\u003e\r\u003cli\u003eFrame: 42 x 54 x 4 cmåÊ\u003c\/li\u003e\r\u003cli\u003ePrinter : Les Ateliers Moret (Paris, France)\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cp\u003eåÊ\u003c\/p\u003e\r\u003cdiv class=\"page\" title=\"Page 9\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eZhou Tiehai (1966 Shanghai) is one of China's leading conceptual artists and also one of Shanghai's art stars. \u003cmeta charset=\"utf-8\"\u003eZhou co-founded Shanghai's first international art fair, SH Contemporary, in 2007, assumed the directorship of the Minsheng Art Museum in 2010, and founded West Bund Art \u0026amp; Design in 2014.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eZhou first gained notice in the mid 1990s, when he began poking fun at the absurdities lurking behind China's contemporary art scene. His art pieces are widely recognized all over the world. His most popular works are a series of \"Joe Camel\" paintings that show the former cigarette ad icon in a variety of poses.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eåÊZhou Tiehai also made a splash in the early to mid 1990s when he began creating fake magazine covers that portrayed him as a rising star in the art world. His early works suggested that who's hot and who's not in the art world had little to do with talent and more to do with connections and currying favor with a handful of collectors, curators and journalists. The artist lives and works in Shanghai. His artworks have been exhibited by the most prestigious institutions both at home and abroad. He also has a wide base of art collectors and is auctioned by the most famous auction houses \u003c\/span\u003e\u003cspan\u003e(Christie‰۪s, Sotheby‰۪s, Artcurial...) \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Zhou Tiehai","offers":[{"title":"Default Title","offer_id":61999268364618,"sku":null,"price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s03t03zAxelVonFersel_69522048-4a56-4d8d-8192-f0731e7fc435.jpg?v=1786960520"},{"product_id":"francisco-maria-della-rovere-zhou-tiehai","title":"Francisco Maria della Rovere","description":"\u003ch3 class=\"p1\"\u003eIn the set of 8 engravings (helio-engravings) created in 2009 framed.\u003c\/h3\u003e\r\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSerie nå¡3 of 30 edition numbered and signed by the artist Zhou Tiehai from 1\/30 to 30\/30.\u003c\/strong\u003e\u003c\/h4\u003e\r\u003cul\u003e\r\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaper : 30 x 42 cm\u003c\/span\u003e\u003c\/li\u003e\r\u003cli\u003eFrame: 42 x 54 x 4 cmåÊ\u003c\/li\u003e\r\u003cli\u003ePrinter : Les Ateliers Moret (Paris, France)\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cp\u003eåÊ\u003c\/p\u003e\r\u003cdiv title=\"Page 9\" class=\"page\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eZhou Tiehai (1966 Shanghai) is one of China's leading conceptual artists and also one of Shanghai's art stars. \u003cmeta charset=\"utf-8\"\u003eZhou co-founded Shanghai's first international art fair, SH Contemporary, in 2007, assumed the directorship of the Minsheng Art Museum in 2010, and founded West Bund Art \u0026amp; Design in 2014.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eZhou first gained notice in the mid 1990s, when he began poking fun at the absurdities lurking behind China's contemporary art scene. His art pieces are widely recognized all over the world. His most popular works are a series of \"Joe Camel\" paintings that show the former cigarette ad icon in a variety of poses.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eåÊZhou Tiehai also made a splash in the early to mid 1990s when he began creating fake magazine covers that portrayed him as a rising star in the art world. His early works suggested that who's hot and who's not in the art world had little to do with talent and more to do with connections and currying favor with a handful of collectors, curators and journalists. The artist lives and works in Shanghai. His artworks have been exhibited by the most prestigious institutions both at home and abroad. He also has a wide base of art collectors and is auctioned by the most famous auction houses \u003c\/span\u003e\u003cspan\u003e(Christie‰۪s, Sotheby‰۪s, Artcurial...) \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Zhou Tiehai","offers":[{"title":"Default Title","offer_id":61999268430154,"sku":null,"price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s03t07zFranciscoMariadellaRovere_72b80376-1150-4eea-9684-e34ceaa03e83.jpg?v=1786960518"},{"product_id":"baby-with-bubbles-emiko-aida","title":"Baby with bubbles","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. I have a deep curiosity about urban dwellers, myself among them. As for me, what is the relationship between my past and my present? Where do I belong? Where am I going? These endless questions evoke in me a sense of the fragility and loneliness of humankind. It seems like all lives and their experiences cross between reality and illusion. My work asks questions without sound and I listen for the answers to try to find out where I am. After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":61999269642570,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Ababywithbubbles_2mb_cd589ee0-99c9-450c-ab71-2f6eddee8ac8.jpg?v=1786960491"},{"product_id":"a-float","title":"A Float","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. I have a deep curiosity about urban dwellers, myself among them. As for me, what is the relationship between my past and my present? Where do I belong? Where am I going? These endless questions evoke in me a sense of the fragility and loneliness of humankind. It seems like all lives and their experiences cross between reality and illusion. My work asks questions without sound and I listen for the answers to try to find out where I am. After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":61999269675338,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Afloat_2mb_66a6a272-4eef-4f52-8b26-f01795c55d49.jpg?v=1786960490"},{"product_id":"a-little-swimmer","title":"A Little Swimmer","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. I have a deep curiosity about urban dwellers, myself among them. As for me, what is the relationship between my past and my present? Where do I belong? Where am I going? These endless questions evoke in me a sense of the fragility and loneliness of humankind. It seems like all lives and their experiences cross between reality and illusion. My work asks questions without sound and I listen for the answers to try to find out where I am. After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":61999269740874,"sku":null,"price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Alittleswimmer_2mb_99c727c6-8b46-4029-a0f5-4f20420bf135.jpg?v=1786960489"},{"product_id":"swim-around-vii","title":"Swim around VII","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. I have a deep curiosity about urban dwellers, myself among them. As for me, what is the relationship between my past and my present? Where do I belong? Where am I going? These endless questions evoke in me a sense of the fragility and loneliness of humankind. It seems like all lives and their experiences cross between reality and illusion. My work asks questions without sound and I listen for the answers to try to find out where I am. After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":62976742654282,"sku":null,"price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Swimaround7_2MB_f3c5a112-e51b-4a93-a01d-28db6fb9d10f.jpg?v=1786960484"},{"product_id":"swim-around-vi","title":"Swim around VI","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. I have a deep curiosity about urban dwellers, myself among them. As for me, what is the relationship between my past and my present? Where do I belong? Where am I going? These endless questions evoke in me a sense of the fragility and loneliness of humankind. It seems like all lives and their experiences cross between reality and illusion. My work asks questions without sound and I listen for the answers to try to find out where I am. After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":62976742719818,"sku":null,"price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Swimaround6_2MB_443710c1-5aad-48bf-bf59-f4de5d678419.jpg?v=1786960485"},{"product_id":"swim-around-v","title":"Swim around V","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. I have a deep curiosity about urban dwellers, myself among them. As for me, what is the relationship between my past and my present? Where do I belong? Where am I going? These endless questions evoke in me a sense of the fragility and loneliness of humankind. It seems like all lives and their experiences cross between reality and illusion. My work asks questions without sound and I listen for the answers to try to find out where I am. After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":62976742752586,"sku":null,"price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Swimaround5_2mb_5971ee47-700d-4189-b90e-a279f9e43550.jpg?v=1786960485"},{"product_id":"swim-around-iv","title":"Swim around IV","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. I have a deep curiosity about urban dwellers, myself among them. As for me, what is the relationship between my past and my present? Where do I belong? Where am I going? These endless questions evoke in me a sense of the fragility and loneliness of humankind. It seems like all lives and their experiences cross between reality and illusion. My work asks questions without sound and I listen for the answers to try to find out where I am. After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":62976742818122,"sku":null,"price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Swimaround4_4d0f269e-de8a-43c4-aedd-e7f2983b9760.jpg?v=1786960486"},{"product_id":"swim-around-iii","title":"Swim around III","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. I have a deep curiosity about urban dwellers, myself among them. As for me, what is the relationship between my past and my present? Where do I belong? Where am I going? These endless questions evoke in me a sense of the fragility and loneliness of humankind. It seems like all lives and their experiences cross between reality and illusion. My work asks questions without sound and I listen for the answers to try to find out where I am. After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":62976742883658,"sku":null,"price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Swimaround3_5c49386d-d3ac-4a18-ab1d-3d9bf1832958.jpg?v=1786960486"},{"product_id":"swim-around-ii","title":"Swim around II","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. I have a deep curiosity about urban dwellers, myself among them. As for me, what is the relationship between my past and my present? Where do I belong? Where am I going? These endless questions evoke in me a sense of the fragility and loneliness of humankind. It seems like all lives and their experiences cross between reality and illusion. My work asks questions without sound and I listen for the answers to try to find out where I am. After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":62976742916426,"sku":null,"price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Swimaround2_4f30459b-2bb5-476d-8b2c-ea9efe5aa985.jpg?v=1786960486"},{"product_id":"swim-around-i","title":"Swim around I","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. I have a deep curiosity about urban dwellers, myself among them. As for me, what is the relationship between my past and my present? Where do I belong? Where am I going? These endless questions evoke in me a sense of the fragility and loneliness of humankind. It seems like all lives and their experiences cross between reality and illusion. My work asks questions without sound and I listen for the answers to try to find out where I am. After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":62976742981962,"sku":null,"price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Swimaround1_23c29772-60c3-49b0-914a-a95f7addeb23.jpg?v=1786960487"},{"product_id":"by-the-deep-end","title":"By the deep end","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. I have a deep curiosity about urban dwellers, myself among them. As for me, what is the relationship between my past and my present? Where do I belong? Where am I going? These endless questions evoke in me a sense of the fragility and loneliness of humankind. It seems like all lives and their experiences cross between reality and illusion. My work asks questions without sound and I listen for the answers to try to find out where I am. After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":62976743047498,"sku":null,"price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Bythedeepend_2mb_e1c8a8f7-eeb2-4968-98c6-664192ab0ac4.jpg?v=1786960488"},{"product_id":"holding-an-ankle","title":"Holding an ankle","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. I have a deep curiosity about urban dwellers, myself among them. As for me, what is the relationship between my past and my present? Where do I belong? Where am I going? These endless questions evoke in me a sense of the fragility and loneliness of humankind. It seems like all lives and their experiences cross between reality and illusion. My work asks questions without sound and I listen for the answers to try to find out where I am. After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":62976743539018,"sku":null,"price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Holdinganankle_2mb_1_35816356-011c-44d5-b301-28dffcdf36d4.jpg?v=1786960489"},{"product_id":"louis-xiv-zhou-tiehai","title":"Louis XIV","description":"\u003ch3 class=\"p1\"\u003eIn the set of 8 engravings (helio-engravings) created in 2009 framed.\u003c\/h3\u003e\r\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSerie nå¡3 of 30 edition numbered and signed by the artist Zhou Tiehai from 1\/30 to 30\/30.\u003c\/strong\u003e\u003c\/h4\u003e\r\u003cul\u003e\r\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaper : 30 x 42 cm\u003c\/span\u003e\u003c\/li\u003e\r\u003cli\u003eFrame: 42 x 54 x 4 cmåÊ\u003c\/li\u003e\r\u003cli\u003ePrinter : Les Ateliers Moret (Paris, France)\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cp\u003eåÊ\u003c\/p\u003e\r\u003cdiv class=\"page\" title=\"Page 9\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eZhou Tiehai (1966 Shanghai) is one of China's leading conceptual artists and also one of Shanghai's art stars. \u003cmeta charset=\"utf-8\"\u003eZhou co-founded Shanghai's first international art fair, SH Contemporary, in 2007, assumed the directorship of the Minsheng Art Museum in 2010, and founded West Bund Art \u0026amp; Design in 2014.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eZhou first gained notice in the mid 1990s, when he began poking fun at the absurdities lurking behind China's contemporary art scene. His art pieces are widely recognized all over the world. His most popular works are a series of \"Joe Camel\" paintings that show the former cigarette ad icon in a variety of poses.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eåÊZhou Tiehai also made a splash in the early to mid 1990s when he began creating fake magazine covers that portrayed him as a rising star in the art world. His early works suggested that who's hot and who's not in the art world had little to do with talent and more to do with connections and currying favor with a handful of collectors, curators and journalists. The artist lives and works in Shanghai. His artworks have been exhibited by the most prestigious institutions both at home and abroad. He also has a wide base of art collectors and is auctioned by the most famous auction houses \u003c\/span\u003e\u003cspan\u003e(Christie‰۪s, Sotheby‰۪s, Artcurial...) \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Zhou Tiehai","offers":[{"title":"Default Title","offer_id":62976745865546,"sku":null,"price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s03t04zLouisXIV_7007e0bc-151e-4cf4-9d09-59ebad229633.jpg?v=1786960516"},{"product_id":"the-duke-of-lerma-on-horseback-zhou-tiehai","title":"The Duke of Lerma on horseback","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eEtchings (helio-Gravures), 2009.\u003c\/strong\u003e\u003c\/h3\u003e\r\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSerie nå¡3 of 30 edition numbered and signed by the artist Zhou Tiehai from 1\/30 to 30\/30.\u003c\/strong\u003e\u003c\/h3\u003e\r\u003cul\u003e\r\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaper : 30 x 42 cm\u003c\/span\u003e\u003c\/li\u003e\r\u003cli\u003eFrame: 42 x 54 x 4 cmåÊ\u003c\/li\u003e\r\u003cli\u003ePrinter : Les Ateliers Moret (Paris, France)\u003c\/li\u003e\r\u003cli\u003eFramed\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cp\u003eåÊ\u003c\/p\u003e\r\u003cdiv class=\"page\" title=\"Page 9\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eZhou Tiehai (1966 Shanghai) is one of China's leading conceptual artists and also one of Shanghai's art stars. \u003cmeta charset=\"utf-8\"\u003eZhou co-founded Shanghai's first international art fair, SH Contemporary, in 2007, assumed the directorship of the Minsheng Art Museum in 2010, and founded West Bund Art \u0026amp; Design in 2014.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eZhou first gained notice in the mid 1990s, when he began poking fun at the absurdities lurking behind China's contemporary art scene. His art pieces are widely recognized all over the world. His most popular works are a series of \"Joe Camel\" paintings that show the former cigarette ad icon in a variety of poses.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eåÊZhou Tiehai also made a splash in the early to mid 1990s when he began creating fake magazine covers that portrayed him as a rising star in the art world. His early works suggested that who's hot and who's not in the art world had little to do with talent and more to do with connections and currying favor with a handful of collectors, curators and journalists. The artist lives and works in Shanghai. His artworks have been exhibited by the most prestigious institutions both at home and abroad. He also has a wide base of art collectors and is auctioned by the most famous auction houses \u003c\/span\u003e\u003cspan\u003e(Christie‰۪s, Sotheby‰۪s, Artcurial...) \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Zhou Tiehai","offers":[{"title":"Default Title","offer_id":62976745931082,"sku":null,"price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s03t06zTheDukeofLermaonhorseback_92553138-830f-4a51-8eb6-cd719f8d2264.jpg?v=1786960518"},{"product_id":"sir-thomas-william-coke","title":"Sir Thomas William Coke","description":"\u003ch3 class=\"p1\"\u003eIn the set of 8 engravings (helio-engravings) created in 2009 framed.\u003c\/h3\u003e\r\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSerie nå¡3 of 30 edition numbered and signed by the artist Zhou Tiehai from 1\/30 to 30\/30.\u003c\/strong\u003e\u003c\/h4\u003e\r\u003cul\u003e\r\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaper : 30 x 42 cm\u003c\/span\u003e\u003c\/li\u003e\r\u003cli\u003eFrame: 42 x 54 x 4 cmåÊ\u003c\/li\u003e\r\u003cli\u003ePrinter : Les Ateliers Moret (Paris, France)\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cp\u003eåÊ\u003c\/p\u003e\r\u003cdiv title=\"Page 9\" class=\"page\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eZhou Tiehai (1966 Shanghai) is one of China's leading conceptual artists and also one of Shanghai's art stars. \u003cmeta charset=\"utf-8\"\u003eZhou co-founded Shanghai's first international art fair, SH Contemporary, in 2007, assumed the directorship of the Minsheng Art Museum in 2010, and founded West Bund Art \u0026amp; Design in 2014.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eZhou first gained notice in the mid 1990s, when he began poking fun at the absurdities lurking behind China's contemporary art scene. His art pieces are widely recognized all over the world. His most popular works are a series of \"Joe Camel\" paintings that show the former cigarette ad icon in a variety of poses.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eåÊZhou Tiehai also made a splash in the early to mid 1990s when he began creating fake magazine covers that portrayed him as a rising star in the art world. His early works suggested that who's hot and who's not in the art world had little to do with talent and more to do with connections and currying favor with a handful of collectors, curators and journalists. The artist lives and works in Shanghai. His artworks have been exhibited by the most prestigious institutions both at home and abroad. He also has a wide base of art collectors and is auctioned by the most famous auction houses \u003c\/span\u003e\u003cspan\u003e(Christie‰۪s, Sotheby‰۪s, Artcurial...) \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Zhou Tiehai","offers":[{"title":"Default Title","offer_id":62976745996618,"sku":null,"price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s03t05zSirThomasWilliamCoke_546ad067-c482-486c-81eb-4ea4306745f0.jpg?v=1786960519"},{"product_id":"sir-thomas-munro-zhou-tiehai","title":"Sir Thomas Munro","description":"\u003ch3 class=\"p1\"\u003eIn the set of 8 engravings (helio-engravings) created in 2009 framed.\u003c\/h3\u003e\r\u003ch4 data-mce-fragment=\"1\"\u003e\u003cstrong\u003eSerie nå¡3 of 30 edition numbered and signed by the artist Zhou Tiehai from 1\/30 to 30\/30.\u003c\/strong\u003e\u003c\/h4\u003e\r\u003cul\u003e\r\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaper : 30 x 42 cm\u003c\/span\u003e\u003c\/li\u003e\r\u003cli\u003eFrame: 42 x 54 x 4 cmåÊ\u003c\/li\u003e\r\u003cli\u003ePrinter : Les Ateliers Moret (Paris, France)\u003c\/li\u003e\r\u003c\/ul\u003e\r\u003cp\u003eåÊ\u003c\/p\u003e\r\u003cdiv title=\"Page 9\" class=\"page\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eZhou Tiehai (1966 Shanghai) is one of China's leading conceptual artists and also one of Shanghai's art stars. \u003cmeta charset=\"utf-8\"\u003eZhou co-founded Shanghai's first international art fair, SH Contemporary, in 2007, assumed the directorship of the Minsheng Art Museum in 2010, and founded West Bund Art \u0026amp; Design in 2014.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eZhou first gained notice in the mid 1990s, when he began poking fun at the absurdities lurking behind China's contemporary art scene. His art pieces are widely recognized all over the world. His most popular works are a series of \"Joe Camel\" paintings that show the former cigarette ad icon in a variety of poses.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eåÊZhou Tiehai also made a splash in the early to mid 1990s when he began creating fake magazine covers that portrayed him as a rising star in the art world. His early works suggested that who's hot and who's not in the art world had little to do with talent and more to do with connections and currying favor with a handful of collectors, curators and journalists. The artist lives and works in Shanghai. His artworks have been exhibited by the most prestigious institutions both at home and abroad. He also has a wide base of art collectors and is auctioned by the most famous auction houses \u003c\/span\u003e\u003cspan\u003e(Christie‰۪s, Sotheby‰۪s, Artcurial...) \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Zhou Tiehai","offers":[{"title":"Default Title","offer_id":62976746357066,"sku":null,"price":1400.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s03t02zSirThomasMunro_8eab21e0-b211-42d6-adc9-a26c1f30110f.jpg?v=1786960520"},{"product_id":"ode-to-heaven-23-imrana-tanveer","title":"Ode to Heaven (23)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eExplore the \"Ode to Heaven\" collection, a poignant homage to an idyllic past . The series mourns our lost serenity, reflecting on a time of unbroken promises and flourishing aspirations, now clouded by modern -day fears and uncertainties . It showcases the irony of humanity's destructive ambition, turning nature into 'gold' at the cost of our environment . The mix media woven Zari thread and aluminium foil artworks aren't just beautiful, they force introspection, echoing age -old narratives of longing for a forgotten paradise . They urge us towards a crucial re -evaluation of our relationship with nature, inspiring a nostalgic yearning for a simpler, cleaner world.\u003c\/p\u003e","brand":"Imrana Tanveer","offers":[{"title":"Default Title","offer_id":62976753795402,"sku":null,"price":2700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/23-ImranaTanveer-OdetoHeaven_957b2922-bb8f-46a7-821b-211c29c60298.jpg?v=1786960599"},{"product_id":"ode-to-heaven-22-imrana-tanveer","title":"Ode to Heaven (22)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eExplore the \"Ode to Heaven\" collection, a poignant homage to an idyllic past . 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They urge us towards a crucial re -evaluation of our relationship with nature, inspiring a nostalgic yearning for a simpler, cleaner world.\u003c\/p\u003e","brand":"Imrana Tanveer","offers":[{"title":"Default Title","offer_id":62976754549066,"sku":null,"price":2700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/22-ImranaTanveer-OdetoHeaven_63f27c8e-03e7-4761-b994-88b278c6e132.jpg?v=1786960599"},{"product_id":"ode-to-heaven-21-imrana-tanveer","title":"Ode to Heaven (21)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eExplore the \"Ode to Heaven\" collection, a poignant homage to an idyllic past . The series mourns our lost serenity, reflecting on a time of unbroken promises and flourishing aspirations, now clouded by modern -day fears and uncertainties . It showcases the irony of humanity's destructive ambition, turning nature into 'gold' at the cost of our environment . The mix media woven Zari thread and aluminium foil artworks aren't just beautiful, they force introspection, echoing age -old narratives of longing for a forgotten paradise . They urge us towards a crucial re -evaluation of our relationship with nature, inspiring a nostalgic yearning for a simpler, cleaner world .\u003c\/p\u003e","brand":"Imrana Tanveer","offers":[{"title":"Default Title","offer_id":62976754614602,"sku":null,"price":2700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/21-ImranaTanveer-OdetoHeaven_b9a6a562-f871-47de-85c5-ac18a9bbcc52.jpg?v=1786960600"},{"product_id":"ode-to-heaven-19-imrana-tanveer","title":"Ode to Heaven (19)","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003eExplore the \"Ode to Heaven\" collection, a poignant homage to an idyllic past . 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