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class=\"p1\" data-mce-fragment=\"1\"\u003e自大學以來，融合和混合一直是他的核心創作方法，將其帶到荷蘭後，他將其命名為「怪物計畫」。大沼從日常生活中（動漫、嘻哈、時尚）和資本主義的象徵（iPhone、運動鞋）尋找靈感，並將它們融入自己的創作中。他從有形世界中提取符號，然後將它們轉移到他的無形世界中。\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e大沼認為，這些怪物是一個推想性的場域，不僅讓他能夠將其多元的興趣和經驗融合為日本和西方風格，也是承載他記憶和日本起源的媒介。他希望超越具象和抽象的二元對立，並將怪物的概念詮釋為一個可以同時包含具象和抽象的方便工具。「怪物是具象和抽象之間的橋樑。」\u003c\/p\u003e","brand":"Hiroaki Onuma","offers":[{"title":"Default Title","offer_id":61999263187274,"sku":null,"price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/DSCN8829_ea46c125-0653-4d0c-8b9f-db58f4db8004.jpg?v=1786960586"},{"product_id":"falling-octopuses-and-tigers","title":"章魚和老虎從天而降","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e自大學以來，「融合」（fusion）和「混血」（hybridity）就是他方法論的核心，在將它們帶到荷蘭後，他將其命名為「怪物計畫」。小沼透過日常生活經驗（動漫、嘻哈、時尚）和資本主義的象徵（iPhone、運動鞋）中尋找靈感，並將其融入自己的創作。他從實體世界中提取符號，然後將它們轉移到他的無形世界中。\u003c\/p\u003e\n\u003cp class=\"p2\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e小沼認為，這些怪物是個思辨的場域，不僅讓他能夠將其多元的興趣和經驗融合日本與西方風格呈現出來，也是承載他記憶和日本淵源的媒介。他希望超越具象與抽象的二元對立，並將怪物的概念詮釋為一個方便的工具，能夠同時包含具象和抽象。「怪物是具象與抽象之間的橋樑。」\u003c\/p\u003e","brand":"Hiroaki Onuma","offers":[{"title":"Default Title","offer_id":61999263875402,"sku":null,"price":1200.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/IMG_6146_261e2569-3259-4116-8e56-f47c8358f345.jpg?v=1786960584"},{"product_id":"discovery-duytran-oiloncanvas","title":"發現","description":"在系列片「巨嬰」中。","brand":"Duy Tran","offers":[{"title":"Default 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class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e\u003cspan\u003e----\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e\u003cspan\u003e楊茂林的崇高之美殿堂 \u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cp\u003e\u003cem\u003e2009年威尼斯雙年展，由台北當代藝術館呈獻，策展人：Schoeber Felix，2009年6月至8月 \u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e楊茂林在2009年威尼斯雙年展｜ \u003cem\u003eS. Giovanni e Paolo, Sala S. Tomaso\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e楊茂林在台北和威尼斯的雙重展覽，將探討現代世俗文化中半宗教元素的激增。這項多方面探索的起點將是博物館的空間，正如Carol Duncan在1995年文章《作為儀式的博物館》中所觀察到的，博物館在其高度美學關注的空間中提供了一種「崇高」且因此「閾限」或半宗教的體驗，儘管它被指定為世俗科學的空間。 \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e在台北，楊茂林將把台北當代藝術館改造成漫畫和好萊塢超級英雄的殿堂，將他們偽裝成奈良風格的佛教青銅神祇，放置在建築物前，將台北當代藝術館變成一個專為這些新神祇出現而舉行的特殊宗教儀式場所。這可以進一步用斯拉沃熱·齊澤克對好萊塢電影的觀察來闡述：表面上是為了迎合後現代市場的無害娛樂媒介，但仔細觀察就會發現許多宗教元素。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e一個經典的例子是卡通人物「超人」，他為拯救人類而無私奉獻，以及他作為外太空\/天父之子的族譜，在許多方面都讓人聯想到耶穌。楊茂林將他和其他超級英雄，如金剛、哥吉拉和彼得潘，轉化為佛教神祇，在他們新的萬神殿中為每個人分配一個位置，將他們像門神一樣放置在兇猛的野獸之上，或者讓他們像菩薩一樣站在動物和蓮花上，或者像佛陀一樣將他們放置在帶有巨大光環的寶座上。 \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e在威尼斯，聖喬瓦尼與保羅教堂（chiesa S Giovanni e Paolo）的一部分聖托馬索廳（Sala S. Tomaso）將被改造成這個超級英雄萬神殿的寺廟。特別是對於電影英雄，如金剛（1933年）、哥吉拉（1954年）和超人（1933年\/1938年），可以說他們的出現與被稱為當代「風險社會」的日益增長的偏執之間存在著密切的聯繫：一個現代科學的發展導致知識與任何決策中包含的潛在風險之間差距日益擴大的社會。經典的例子是核技術：儘管其已知的好處，但其使用所帶來的危險可能終結地球上的人類生命。 \u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e\u003cspan\u003e事實上，大多數超級英雄都以某種方式與科學和技術相關：哥吉拉是南太平洋核試驗後基因變異的結果，超人是來自外太空一個技術更先進的社會的最後代表，其母星已經爆炸。 \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e台北當代藝術館 \u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e台北當代藝術館是台灣第一座專門致力於當代藝術的博物館。它建於1921年，是日治時期歷史主義建築的典型範例，這座兩層樓高、完全對稱的磚造建築，設有主入口大廳和鐘樓，以及許多大小房間。在日治時期，它是建成小學的所在地。二戰結束後，它成為台北市政府的辦公室。2001年，它被改建為當代藝術博物館，同時也被指定為歷史地標。 \u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Yang Maolin","offers":[{"title":"Default Title","offer_id":61999268102474,"sku":null,"price":1750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s02t02JatakaTaleofBelovedKingKongVajradhara_9f24b976-2dee-4098-b5c5-067118d1e5d9.jpg?v=1786960527"},{"product_id":"alice-s-adventures-in-wonderland-yang-maolin","title":"愛麗絲夢遊仙境 - 愛麗絲 浩克 黛瓦","description":"\u003cdiv class=\"page\" title=\"Page 1\" data-mce-fragment=\"1\"\u003e\n\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong\u003e楊茂林版次2，限量50版，藝術家楊茂林簽名並編號，1\/50至50\/50。\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e紙張尺寸：56 x 76 公分\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e圖像尺寸：30 x 59.5 公分\u003c\/li\u003e\n\n\u003cli\u003e印刷商：Les Ateliers Moret (法國巴黎)\u003c\/li\u003e\n\n\u003cli\u003e無框\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e\u003cspan\u003e----\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e\u003cspan\u003e楊茂林：至美之殿\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cp\u003e\u003cem\u003e2009年威尼斯雙年展，由台北當代藝術館呈獻，策展人：Schoeber Felix，2009年6月至8月\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e楊茂林在2009年威尼斯雙年展 | \u003cem\u003eS. Giovanni e Paolo, Sala S. Tomaso\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e楊茂林在台北和威尼斯的雙重展覽將探討現代世俗文化中半宗教元素的激增。這項多重探索的起點將是博物館的空間，正如卡羅爾·鄧肯（Carol Duncan）在其1995年的文章《作為儀式的博物館》（Museum as Ritual）中所觀察到的，博物館在提升審美注意力的空間中提供了一種「崇高」的、因此是「邊緣的」或半宗教的體驗，儘管它被指定為世俗科學的空間。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e在台北，楊茂林將把台北當代藝術館轉化為漫畫和好萊塢超級英雄的殿堂，他將這些超級英雄偽裝成奈良風格的佛教青銅神像，放置在建築物前，將台北當代藝術館轉化為一個專門為這些新神靈的出現而舉行的特殊宗教儀式的場所。這可以通過斯拉沃熱·齊澤克（Slavoj Zizek）對好萊塢電影的觀察進一步說明：表面上是為了迎合後現代市場的無害娛樂媒介，但仔細觀察就會發現許多宗教元素。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e一個經典的例子是卡通人物「超人」，他無私地追求人類的救贖，以及他作為外太空\/天父之子的家譜，在許多方面都讓人聯想到耶穌。楊茂林將他和其他超級英雄，如金剛、哥吉拉和彼得潘，轉化為佛教神靈，為他們在新神殿中分配了位置，將他們像門衛一樣放置在兇猛的野獸之上，或者讓他們像菩薩一樣站在動物和蓮花上，或者將他們放置在帶有大光環的寶座上，如同佛陀。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e在威尼斯，聖托馬索廳（Sala S. Tomaso），作為聖喬瓦尼與保羅教堂（chiesa S Giovanni e Paolo）的一部分，將被轉化為這個超級英雄神殿的殿堂。特別是在金剛（1933）、哥吉拉（1954）和超人（1933\/1938）等電影英雄的案例中，可以說他們的出現與被稱為當代「風險社會」的日益增長的偏執之間存在著密切的聯繫：一個現代科學發展導致知識與任何決策中潛在風險之間差距日益擴大的社會。經典的例子是核技術：儘管其已知的好處，但其使用帶來的危險可能終結地球上的人類生命。\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e\u003cspan\u003e事實上，大多數超級英雄都以某種方式與科學技術相關：哥吉拉是南太平洋核試驗後基因改造的結果，超人是來自外太空一個科技更先進社會的最後代表，其家園星球已經爆炸。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e台北當代藝術館\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e台北當代藝術館是台灣第一座專門致力於當代藝術的博物館。它建於1921年，是日治時期歷史主義建築的典型範例，這座兩層樓高、完美對稱的磚建築設有主入口大廳和鐘樓，以及許多大小房間。在日治時期，它是建成小學的所在地。二戰結束後，它成為台北市政府的辦公室。2001年，它被改建為當代藝術博物館，同時也被指定為歷史地標。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Yang Maolin","offers":[{"title":"Default Title","offer_id":61999268069706,"sku":null,"price":1750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s02t04Alice_sAdventuresinWonderland-AliceHulkDeva_26ad1105-d883-4d20-aede-4b2e529e63fc.jpg?v=1786960528"},{"product_id":"jataka-tale-of-beloved-mermaid-vajradhara-yang-maolin","title":"親愛的瓦吉拉達賴人魚本生故事","description":"\u003cdiv class=\"page\" title=\"Page 1\" data-mce-fragment=\"1\"\u003e\n\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong\u003e楊茂林藝術家簽名編號版畫第 2 系列，限量 50 版，編號 1\/50 至 50\/50。\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e紙張：56 x 76 公分\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e圖像：41.5 x 59.5 公分\u003c\/li\u003e\n\n\u003cli\u003e印刷：Les Ateliers Moret (法國巴黎)\u003c\/li\u003e\n\n\u003cli\u003e無框\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e\u003cspan\u003e----\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e\u003cspan\u003e楊茂林《大美殿堂》\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cp\u003e\u003cem\u003e2009 威尼斯雙年展，由台北當代藝術館呈現，策展人 Schoeber Felix，2009 年 6 月至 8 月\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e楊茂林 2009 威尼斯雙年展 | \u003cem\u003eS. Giovanni e Paolo, Sala S. Tomaso\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e楊茂林在台北和威尼斯的雙個展將探討半宗教元素在現代世俗文化中的蔓延。這項多重探索的起點將是博物館的空間，正如卡羅爾·鄧肯（Carol Duncan）在 1995 年的《作為儀式的博物館》（museum as ritual）一文中觀察到的那樣，博物館在提升審美注意力的空間中提供了一種「崇高」且因此「邊緣化」或半宗教的體驗，儘管它被指定為世俗科學的空間。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e在台北，楊茂林將把台北當代藝術館改造成漫畫和好萊塢超級英雄的殿堂，將他們偽裝成奈良風格的佛教青銅神像放置在建築物前面，將台北當代藝術館轉變為一場專門獻給這些新神靈出現的特殊宗教儀式的場所。這可以通過斯拉沃伊·齊澤克（Slavoj Zizek）對好萊塢電影的觀察進一步闡釋：表面上是為了迎合後現代市場的無辜娛樂媒介，但仔細觀察就會發現許多宗教元素。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e一個經典的例子是卡通人物「超人」，他為拯救人類而無私奉獻，他的家譜，作為來自外太空\/天堂之父的兒子，在許多方面都讓人聯想到耶穌。楊茂林將他和其他超級英雄，如金剛、哥吉拉和彼得潘，轉變成佛教神靈，將每個角色安排在他新的眾神殿中，將他們像門神一樣放置在兇猛的野獸之上，或者讓他們像菩薩一樣站在動物和蓮花上，或者將他們與背後巨大的光環一同放置在寶座上，就像佛陀一樣。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e在威尼斯，聖喬凡尼與保羅教堂的一部分，聖托馬索廳（Sala S. Tomaso），將被改造成這個超級英雄眾神殿的寺廟。特別是在電影英雄如金剛（1933）、哥吉拉（1954）和超人（1933\/1938）的案例中，可以說他們的出現與被稱為當代「風險社會」的日益增長的偏執之間存在著密切的聯繫：在這個社會中，現代科學的發展在知識和任何決策中潛在的風險之間造成了日益增大的差距。經典的例子是核技術：儘管其已知的益處，其使用卻帶來可能終結地球上人類生命的危險。\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\n\u003c\/div\u003e\n\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e\u003cspan\u003e事實上，大多數超級英雄都以某種方式與科學和技術相關聯：哥吉拉是南太平洋核試驗後基因改造的結果，超人是來自外太空一個科技更先進的社會的最後代表，其家園星球已經爆炸。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e台北當代藝術館\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e台北當代藝術館是台灣第一座專門展示當代藝術的博物館。它建於 1921 年，是日本殖民時期歷史主義建築的典型範例，這座兩層樓高、完全對稱的磚造建築設有主入口大廳和鐘樓，以及許多大小房間。在日本時期，它是建成小學的所在地。第二次世界大戰結束後，它成為台北市政府的辦公室。2001 年，它被改建為當代藝術博物館，同時也被指定為歷史地標。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\n\u003c\/div\u003e\n\n\n\n\u003c\/div\u003e\n\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Yang Maolin","offers":[{"title":"Default Title","offer_id":61999268168010,"sku":null,"price":1750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/s02t01JatakaTaleofBelovedMermaidVajradhara_e297a79b-011b-41f2-969a-d5aedb3dca80.jpg?v=1786960526"},{"product_id":"jatale-of-extraordinary-love-vajradhara-yang-maolin","title":"卓越之愛金剛總持本生故事","description":"\u003cdiv class=\"page\" title=\"Page 1\" data-mce-fragment=\"1\"\u003e\n\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cstrong\u003e第2套，限量50版，藝術家楊茂林編號簽名，編號從1\/50到50\/50。\u003c\/strong\u003e\u003c\/h3\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e\u003cspan data-mce-fragment=\"1\"\u003e紙張：56 x 76 公分\u003c\/span\u003e\u003c\/li\u003e\n\n\u003cli\u003e圖片：41.5 x 60 公分\u003c\/li\u003e\n\n\u003cli\u003e印刷廠：Les Ateliers Moret (法國巴黎)\u003c\/li\u003e\n\n\u003cli\u003e無框\u003c\/li\u003e\n\n\n\u003c\/ul\u003e\n\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e\u003cspan\u003e----\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003e\u003cspan\u003e楊茂林 崇高之美的殿堂\u003c\/span\u003e\u003c\/h3\u003e\n\n\u003cp\u003e\u003cem\u003e2009年威尼斯雙年展，由台北當代藝術館展出，策展人：Schoeber Felix，2009年6月至8月\u003c\/em\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e楊茂林 2009年威尼斯雙年展 | \u003cem\u003eS. Giovanni e Paolo, Sala S. Tomaso\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e楊茂林在台北和威尼斯的雙個展將探討現代世俗文化中半宗教元素的增殖。這次多面向探索的起點將是博物館的空間，正如Carol \u003c\/span\u003e\u003cspan\u003eDuncan在1995年發表的文章「作為儀式的博物館」中觀察到的，博物館在其高度美學關注的空間中提供了一種「崇高」的，因此是「閾限的」或半\u003c\/span\u003e\u003cspan\u003e宗教性的體驗，儘管其被指定為世俗科學的空間。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e在台北，楊茂林將把台北當代藝術館改造成漫畫和好萊塢超級英雄的殿堂，將他們偽裝成奈良風格的佛教青銅神像，放置於建築物前方，將台北當代藝術館轉變為一場特殊的宗教儀式場所，專門為這些新神祇的出現而舉行。這可以進一步用\u003c\/span\u003e\u003cspan\u003e斯拉沃熱·齊澤克對好萊塢電影的觀察來闡釋：表面上，好萊塢電影是一種為取悅後現代市場而設計的無辜娛樂媒介，但仔細觀察卻揭示了眾多宗教元素。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e一個經典的例子是卡通人物「超人」，他無私地追求人類的\u003c\/span\u003e\u003cspan\u003e救贖，以及他作為來自外太空／天父之子的譜系，在許多方面都讓人聯想到耶穌。楊茂林將他和其他超級英雄，如金剛、哥吉拉和彼得潘，轉化為佛教神祇，在他們的新神殿中為每個人安排了一個位置，將他們像門神一樣放置在兇猛的野獸上，或者讓他們像菩薩一樣站立在動物和蓮花上，或者像佛陀一樣將他們放置在王座上，背後有一個大光環。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e在威尼斯，聖喬瓦尼與保羅教堂（chiesa S Giovanni e Paolo）的一部分，聖托馬索廳（Sala S. Tomaso），將被改造成這個超級英雄神殿的殿堂。特別是在金剛（1933年）、哥吉拉（1954年）和超人（1933\/1938年）等電影英雄的情況下，可以說他們的出現與被稱為當代「風險社會」的日益增長的偏執之間存在著密切的聯繫：一個現代\u003c\/span\u003e\u003cspan\u003e科學發展導致知識與任何決策所包含的潛在風險之間差距日益擴大的社會。經典的例子是核技術：儘管其已知的好處，其使用卻帶來了可能終結地球上人類生命的危險。\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv title=\"Page 2\" class=\"page\"\u003e\n\n\u003cdiv class=\"layoutArea\"\u003e\n\n\u003cdiv class=\"column\"\u003e\n\n\u003cp\u003e\u003cspan\u003e事實上，大多數超級英雄都以某種方式與科學技術相關：哥吉拉是南太平洋核試驗後基因改造的結果，超人是來自外太空一個技術更先進的社會的最後代表，而他的家鄉星球已經爆炸。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e台北當代藝術館\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e台北當代藝術館是台灣第一座專門展出當代藝術的博物館。它建於1921年，是日治時期歷史主義建築的典型範例，這座兩層樓高、完美對稱的磚造建築設有主入口大廳和鐘樓，以及許多大小房間。在日治時期，它是建成小學的所在地。二戰結束後，它成為台北市政府的辦公室。2001年，它被改造成一座當代藝術博物館，同時也被指定為歷史地標。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Yang Maolin","offers":[{"title":"Default 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data-end=\"983\"\u003e在這裡，技法成為作品的核心。楊垂陽將水彩的傳統輕盈感發揮到極致，透過對顏料、水和紙張紋理的掌控，創造出一種幾乎具有雕塑感的密度和情感重量。顏料滲入紙張纖維，沿著紋理擴散、匯聚和羽化。毛細流動、回流和柔和的漸變本身就成為富有表現力的工具，塑造出蘊含著寧靜活力的輪廓。在某些區域，色彩飽和到幾乎不透明；而在另一些區域，它則瀰漫成半透明的薄紗，顯露出下方紙張的觸感紋理。\u003c\/p\u003e\n\u003cp data-start=\"985\" data-end=\"1527\"\u003e這種水與顏料、顏料與纖維之間的互動，形成了一個生動的表面。楊垂陽利用紙張的吸收性和紋理，讓它的粗糙或光滑決定畫筆的速度、色彩的暈染和邊緣的形成。她的筆觸在刻意、受控的標記與完全放任控制之間擺盪，讓媒材創造出自己的有機結構。她層層疊疊地營造出深度，不是透過厚度，而是透過重疊暈染的光學震動。\u003c\/p\u003e\n\u003cp data-start=\"1529\" data-end=\"1981\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e最終呈現的肖像，與其說是被畫出來的，不如說是從紙張的物質性本身「生長」出來的。它們不僅透過圖像，更透過紋理捕捉到存在感：濕潤紙張的微妙彎曲、稀釋色調的羽狀邊緣，以及飽和形狀與消融輪廓之間的張力。脆弱與寧靜從這些物質互動中浮現，揭示了一個由水和纖維以及藝術家之手共同塑造的內在風景。\u003c\/p\u003e","brand":"Duong Thuy Duong","offers":[{"title":"Default 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data-end=\"1527\"\u003e水與顏料的相遇、顏料與纖維的結合，形成了富有生命的表面。杜陽利用紙張的吸收性和紋理，讓其粗糙或光滑的特質決定筆觸的速度、色彩的暈染以及邊緣的形成。她的筆觸在刻意、受控的標記和她完全放棄控制、讓媒介創造自身有機結構的段落之間搖擺。她透過層層疊加來建立深度，但這種深度並非透過厚度，而是透過重疊的水洗所產生的光學震動。\u003c\/p\u003e\n\u003cp data-start=\"1529\" data-end=\"1981\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e最終呈現的肖像，與其說是繪製而成，不如說是從紙張本身的物質性中「生長」出來的。它們不僅透過圖像，更透過紋理捕捉了存在感：濕紙的輕微彎曲、稀釋色調的羽化邊緣、飽和形態與消融輪廓之間的張力。脆弱與寧靜從這些物質互動中升起，揭示了一個由水和纖維以及藝術家之手共同塑造的內在景觀。\u003c\/p\u003e","brand":"Duong Thuy Duong","offers":[{"title":"Default Title","offer_id":61999271117130,"sku":null,"price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Themoralist1.30x31_cm_watercolouronpaper_4ccee2a9-759f-4946-8689-e2655bc72ee1.jpg?v=1786960465"},{"product_id":"a-moralist-3","title":"道德家 3","description":"\u003cp data-start=\"109\" data-end=\"374\"\u003e延續她在 2024 年由 Asian Art Bridge 在巴黎皇家宮殿舉辦的「\u003cem data-start=\"146\" data-end=\"165\"\u003e美若綿羊\u003c\/em\u003e」展覽所帶來的動能，楊垂楊現在轉向在紙上用水彩創作——這是一種精緻且不可預測的媒材，成為她新肖像系列的核心。\u003c\/p\u003e\n\u003cp data-start=\"376\" data-end=\"983\"\u003e在這裡，技法成為作品的核心。楊垂楊將水彩的運用推向超越其傳統輕盈感的極限，透過對顏料、水和紙張紋理的操控，創造出一種近乎雕塑般的密度和情感重量。顏料滲入紙纖維中，沿著紋理擴散、匯聚和暈開。毛細管流動、回流和柔和的漸層本身成為富有表現力的工具，塑造出脈動著靜謐活力的輪廓。在某些區域，色彩飽和到近乎不透明；而在其他區域，它則散開成半透明的薄紗，顯露出下方紙張的觸覺紋理。\u003c\/p\u003e\n\u003cp data-start=\"985\" data-end=\"1527\"\u003e這種互動——水與顏料的相遇，顏料與纖維的結合——形成了一個生動的表面。楊垂楊利用紙張的吸水性和紋理，讓其粗糙或光滑的特質決定畫筆的速度、色彩的綻放和邊緣的形成。她的筆觸在刻意、受控的標記與她完全放棄控制的段落之間擺盪，讓媒材創造出其自身的有機結構。她層層疊疊地營造深度，不是透過厚度，而是透過重疊暈染的光學振動。\u003c\/p\u003e\n\u003cp data-start=\"1529\" data-end=\"1981\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e最終呈現的肖像，與其說是繪製而成，不如說是從紙張的物質性本身「生長」出來的。它們不僅透過圖像，更透過紋理捕捉存在感：濕紙張的輕微翹曲、稀釋色調的羽狀邊緣、飽和形式與溶解輪廓之間的張力。脆弱與寧靜從這些物質互動中浮現，揭示了一個由水和纖維塑造的內在風景，其作用不亞於藝術家的手。\u003c\/p\u003e","brand":"Duong Thuy Duong","offers":[{"title":"Default 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class=\"column\"\u003e\n\n\u003cp\u003e\u003cspan\u003e這幅作品在首爾舉行的韓國佛教藝術展中榮獲「評審團獎」。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e「度假菩薩——邁阿密」透過將菩薩和護法神祇置於邁阿密海灘的當代場景中，重新詮釋了傳統的佛教神祇。不同於古典佛教繪畫中莊嚴超然的形象，他們在此作品中化身為享受衝浪和休閒的遊客，戲劇性地消弭了神聖與世俗之間的界線。\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cspan\u003e儘管圖像現代，這幅作品卻運用了高麗佛教繪畫的傳統技法完成，包括絲綢基底、天然礦物顏料、反向著色和金箔細節。透過這種多層次的對比，作品探討了佛教圖像如何在當今的視覺文化中保持其生命力與相關性——它不再是遙不可及的教義，而是親切、幽默且情感上易於親近的存在。\u003c\/span\u003e\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"Minjee Kang","offers":[{"title":"Default Title","offer_id":61999271248202,"sku":null,"price":1754.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/web_d7dc3d7a-d92d-4f5d-8053-653e0e5d69b1.jpg?v=1786960462"},{"product_id":"bulgari-girls","title":"寶格麗女孩","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e為迎接\u003cstrong data-start=\"284\" data-end=\"312\"\u003e蛇年（2025）\u003c\/strong\u003e，\u003cem data-start=\"318\" data-end=\"341\"\u003e生肖新年女孩\u003c\/em\u003e系列將焦點轉向\u003cstrong data-start=\"398\" data-end=\"414\"\u003e寶格麗女孩\u003c\/strong\u003e的精緻魅力——一個由品牌蛇形優雅、珠寶工藝和羅馬華麗的傳承所塑造的形象。在東亞象徵主義中，蛇代表著智慧、直覺和蛻變的優雅，這些特質與寶格麗標誌性的Serpenti傳承、寶石工藝和感性設計語言不謀而合。透過將蛇的神秘智慧與品牌珠寶的精緻交織，這件藝術作品將2025年不僅僅視為一個新的生肖週期，更是一個充滿優雅蛻變、璀璨奢華和靜謐而強大女性力量的一年。\u003c\/p\u003e","brand":"Minjee Kang","offers":[{"title":"Default Title","offer_id":61999271444810,"sku":null,"price":530.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Bulgari2025_bef04d8f-28d8-4719-b73e-5a5c25c893a9.jpg?v=1786960460"},{"product_id":"louis-vuitton-girls","title":"Louis Vuitton Girls","description":"\u003cp data-end=\"497\" data-start=\"169\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eWithin the \u003cem data-start=\"267\" data-end=\"290\"\u003eZodiac New Year Girls\u003c\/em\u003e series, the \u003cstrong data-start=\"303\" data-end=\"332\"\u003eYear of the Dragon (2024)\u003c\/strong\u003e is envisioned through the formidable presence of \u003cstrong data-start=\"382\" data-end=\"405\"\u003eLouis Vuitton Girls\u003c\/strong\u003e—figures shaped by the maison’s legacy of wanderlust, craftsmanship, and prestige. 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By merging the dragon’s mythic energy with the brand’s global luxury spirit, the artwork reframes New Year symbolism as a tale of bold ascension and cultural sophistication, capturing 2024 as a year of daring reinvention and elevated femininity.\u003cbr\u003e\u003c\/p\u003e","brand":"Minjee Kang","offers":[{"title":"Default Title","offer_id":62976739606858,"sku":null,"price":530.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/LouisVuitton2024_141cbf2d-e392-440b-8a7c-1864a18978c1.jpg?v=1786960460"},{"product_id":"miumiu-girls","title":"miumiu Girls","description":"\u003cp data-start=\"169\" data-end=\"497\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003eWithin the \u003cem data-start=\"182\" data-end=\"205\"\u003eZodiac New Year Girls\u003c\/em\u003e series, the \u003cstrong data-start=\"218\" data-end=\"247\"\u003eYear of the Rabbit (2023)\u003c\/strong\u003e unfolds through the lens of \u003cstrong data-start=\"276\" data-end=\"293\"\u003eMiu Miu girls\u003c\/strong\u003e—figures who embody the brand’s playful minimalism and youthful elegance. The rabbit, long associated with agility, gentleness, and quiet cleverness in East Asian symbolism, finds a natural counterpart in Miu Miu’s distinctive aesthetic vocabulary: cropped silhouettes, school-girl motifs, and an understated yet confident attitude. By merging the zodiac’s soft mystique with the brand’s iconic cool-girl persona, the artwork reimagines New Year mythology as a fashion-forward fable, capturing the spirit of 2023 with a balance of innocence, wit, and modern femininity.\u003cbr\u003e\u003c\/p\u003e","brand":"Minjee Kang","offers":[{"title":"Default Title","offer_id":62976740032842,"sku":null,"price":530.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/2023miumiu_7327208b-f524-4549-91ad-57b1d1946931.jpg?v=1786960460"},{"product_id":"hermes-kang-minjee-2025-silk-painting","title":"Hermès girls","description":"\u003cp data-start=\"169\" data-end=\"497\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"In an unseen forest, a realm untouched by any gaze,\u003cbr data-start=\"213\" data-end=\"216\"\u003ethe guardian horses stood watch beside the girl.\u003cbr data-start=\"264\" data-end=\"267\"\u003eAnd when fear finally faded, her voyage quietly began.\"\u003c\/p\u003e\n\u003cp data-start=\"169\" data-end=\"497\"\u003eThe series \u003cstrong data-start=\"180\" data-end=\"229\"\u003e〈Sehwa(歲畵): Zodiac New Year Girls Collection〉\u003c\/strong\u003e reimagines the East Asian zodiac through the visual language of contemporary luxury fashion. Each year, Kang Minjee selects the zodiac animal as a central motif and pairs it with a high-end fashion house whose identity resonates with that animal’s symbolic character.\u003c\/p\u003e\n\u003cp data-start=\"499\" data-end=\"1037\"\u003eIn previous works, the \u003cstrong data-start=\"522\" data-end=\"543\"\u003eYear of the Tiger\u003c\/strong\u003e was aligned with the expressive power and charisma of \u003cstrong data-start=\"598\" data-end=\"607\"\u003eGucci\u003c\/strong\u003e, while the \u003cstrong data-start=\"619\" data-end=\"640\"\u003eYear of the Snake\u003c\/strong\u003e found harmony in the sculptural elegance and gem-focused iconography of \u003cstrong data-start=\"713\" data-end=\"724\"\u003eBulgari\u003c\/strong\u003e. For the current \u003cstrong data-start=\"742\" data-end=\"763\"\u003eYear of the Horse\u003c\/strong\u003e, Kang Minjee spotlights \u003cstrong data-start=\"788\" data-end=\"798\"\u003eHermès\u003c\/strong\u003e—a maison whose heritage is inseparable from equestrian culture and refined leather craftsmanship. The result is a striking synthesis in which the zodiac’s spirited vitality and the brand’s equestrian legacy naturally reinforce each other.\u003c\/p\u003e\n\u003cp data-start=\"1039\" data-end=\"1475\"\u003eThis reinterpretation draws inspiration from the Korean tradition of \u003cstrong data-start=\"1108\" data-end=\"1124\"\u003e“Sehwa (歲畵)”\u003c\/strong\u003e, decorative New Year’s paintings believed to dispel misfortune and usher in auspicious energy. Kang Minjee translates that ancient ritual into a contemporary idiom, allowing zodiac mythology, historical art sensibilities, and modern fashion branding to coexist within a single image—bridging the humorous and the majestic, the sacred and the stylish.\u003c\/p\u003e\n\u003cp data-start=\"1477\" data-end=\"1988\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eMore than simple time markers, the twelve zodiac signs embody the emotional landscape and narrative energy of each year. By fusing these symbolic archetypes with luxury brand identities, Kang Minjee reveals how the human pursuit of fortune, beauty, and cultural meaning continues to evolve across eras. The \u003cstrong data-start=\"1784\" data-end=\"1814\"\u003eYear of the Horse x Hermès\u003c\/strong\u003e artwork thus encapsulates the artist’s broader project: reviving the timeless desire for New Year’s blessings through a lens of sophistication, wit, and cultural continuity.\u003c\/p\u003e","brand":"Minjee Kang","offers":[{"title":"Default Title","offer_id":62976740065610,"sku":null,"price":600.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Hermessize1_77dea902-8729-4733-859f-2dc8c24046f0.jpg?v=1786960461"},{"product_id":"couture-for-the-bodhisattvas-an-artistic-offering-of-devotion-through-haute-couture","title":"Couture for the Bodhisattvas - An artistic offering of devotion through haute couture.","description":"\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan\u003eThis artwork won the Selected Prize at the Korean Buddhist Art Exhibition in Seoul.\u003c\/span\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cspan\u003eCouture for the Bodhisattvas - An artistic offering of devotion through haute couture \u003c\/span\u003e\u003cspan\u003ereinterprets traditional Buddhist iconography through the lens of contemporary fashion, adorning the Bodhisattvas with the highest form of beauty. The garments in the painting draw inspiration from Schiaparelli’s 2023 haute couture collection—its sculptural silhouettes and golden embroidery are fused with Buddhist ornamental motifs to become a new form of sacred robe. In this context, couture transcends decoration and functions as a “modern offering,” translating reverence and devotion into a visual language that resonates within today’s art culture. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan\u003eAlthough the imagery is modern, the work is executed with the traditional techniques of Goryeo Buddhist painting, including silk support, natural mineral pigments, reverse coloring, and gold detailing. Through this layered contrast, the piece explores how Buddhist iconography can remain alive and relevant in today’s visual culture — not as a distant doctrine, but as something approachable, humorous, and emotionally accessible. \u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Minjee Kang","offers":[{"title":"Default Title","offer_id":62976740131146,"sku":null,"price":1754.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/web_42adf594-f897-48b8-ba66-be4198ddb44b.jpg?v=1786960461"},{"product_id":"the-italian-chapter","title":"What‰۪s in a Bodhisattva‰۪s Bag?: The Italian Chapter","description":"\u003cdiv class=\"page\" title=\"Page 6\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cdiv class=\"page\" title=\"Page 6\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003ePrologue: What‰۪s in a Bodhisattva‰۪s Bag? is a playful and intimate opening to the larger project, *The Bodhisattvas‰۪ Urban Odyssey*. Here, Bodhisattvas are imagined not in temples, but at the threshold of travel, deciding what to pack before stepping into the world.\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eThe works blend sacred symbolism with contemporary culture: Avalokite\u003c\/span\u003e\u003cspan\u003esí�\u003c\/span\u003e\u003cspan\u003evara carries Louis Vuitton and Gucci bags, merging Buddhist tradition with the cultural icons of France and Italy. The result is a series that traverses the boundaries of sacred and secular, reverence and humor, setting the stage for their odyssey across global cities.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003cp\u003e\u003cspan\u003eInåÊ\u003c\/span\u003e\u003cspan\u003eThe Italian Chapter\u003c\/span\u003e\u003cspan\u003e, Avalokite\u003c\/span\u003e\u003cspan\u003esí�\u003c\/span\u003e\u003cspan\u003evara prepares for Italy with a Gucci bag. The sacred vase and willow branch are placed next to lotus flowers, jeweledåÊ\u003c\/span\u003e\u003cspan\u003eornaments, and everyday items of a traveler ‰ÛÓ a Pure Land passport, a camera, a sleep mask ‰ÛÓ all infused with Buddhist decorative motifs. The blend of spiritual symbolism and Italy‰۪s fashion icon reflects reverence, playfulness, and cultural dialogue. \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Minjee Kang","offers":[{"title":"Default Title","offer_id":62976740196682,"sku":null,"price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/MinjeeKang_Pigmentsminerauxetencresursoie_21x30cm_TheItalianChapter_Web_25ceda68-2d5a-45b9-8ff1-6d2b15bb2021.jpg?v=1786960462"},{"product_id":"the-french-chapter","title":"What‰۪s in a Bodhisattva‰۪s Bag? : The French Chapter","description":"\u003cdiv title=\"Page 6\" class=\"page\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cdiv title=\"Page 6\" class=\"page\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003ePrologue: What‰۪s in a Bodhisattva‰۪s Bag? is a playful and intimate opening to the larger project, *The Bodhisattvas‰۪ Urban Odyssey*. 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The result is a series that traverses the boundaries of sacred and secular, reverence and humor, setting the stage for their odyssey across global cities. \u003c\/span\u003e\u003c\/p\u003e\r\u003cdiv title=\"Page 7\" class=\"page\"\u003e\r\u003cdiv class=\"section\"\u003e\r\u003cdiv class=\"layoutArea\"\u003e\r\u003cdiv class=\"column\"\u003e\r\u003cp\u003e\u003cspan\u003eIn \u003c\/span\u003e\u003cspan\u003eThe French Chapter\u003c\/span\u003e\u003cspan\u003e, Avalokite\u003c\/span\u003e\u003cspan\u003esí�\u003c\/span\u003e\u003cspan\u003evara sets out for France with a Louis Vuitton trunk ‰ÛÓ not only a playful nod to her adornment with the finest treasures, but alsoåÊ\u003c\/span\u003e\u003cspan\u003ea tribute to Louis Vuitton as a symbol of French craftsmanship and cultural heritage. Inside are sacred objects ‰ÛÓ the vase and willow branch of healing and compassion ‰ÛÓ alongside modern travel essentials redesigned with Buddhist motifs. \u003c\/span\u003e\u003c\/p\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e\r\u003c\/div\u003e","brand":"Minjee Kang","offers":[{"title":"Default Title","offer_id":62976740229450,"sku":null,"price":700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/MinjeeKang_Pigmentsminerauxetencresursoie_21x30cm_TheFrenchChapter_Web_5e28db61-556b-4771-aac8-4f190269b530.jpg?v=1786960462"},{"product_id":"he-ran-away-like-a-coward","title":"He Ran Away Like A Coward","description":"\u003cp class=\"MsoNormal\"\u003eI Entered Through the Door, and I Finally Stand Outside.\u003c\/p\u003e\r\u003cp class=\"MsoNormal\"\u003eI explore relationships ‰ÛÒ between humans and humans, spaces, natures and between reality and unreality ‰ÛÒ where no one is superior to the other, aiming for equality in all relationships. 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The boundaries between the figures in the paintings, all of which are self-portraits, and the me outside of the paintings dissolve. 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After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":62976742654282,"sku":null,"price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Swimaround7_2MB_f3c5a112-e51b-4a93-a01d-28db6fb9d10f.jpg?v=1786960484"},{"product_id":"swim-around-vi","title":"Swim around VI","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. 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After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":62976742883658,"sku":null,"price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Swimaround3_5c49386d-d3ac-4a18-ab1d-3d9bf1832958.jpg?v=1786960486"},{"product_id":"swim-around-ii","title":"Swim around II","description":"\u003cp class=\"p1\"\u003e‰ÛÏI have spent all my life in urban settings: the first half in Tokyo and the second half in London. I have a deep curiosity about urban dwellers, myself among them. As for me, what is the relationship between my past and my present? Where do I belong? Where am I going? These endless questions evoke in me a sense of the fragility and loneliness of humankind. It seems like all lives and their experiences cross between reality and illusion. My work asks questions without sound and I listen for the answers to try to find out where I am. After graduating from The Royal College of Art, London, I have continued to develop my inner strength, and strongly believe that Art is the rock of my mental stability.‰۝\u003c\/p\u003e\r\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(*) Etching is traditionally the process of using strongåÊacidåÊ\u003c\/span\u003e\u003cspan\u003eoråÊmordantåÊ\u003c\/span\u003e\u003cspan\u003eto cut into the unprotected parts of aåÊmetalåÊ\u003c\/span\u003e\u003cspan\u003esurface to create a design intaglio \u003c\/span\u003e\u003cspan\u003ein the metal.åÊ\u003c\/span\u003e\u003c\/p\u003e\r\u003c!----\u003e","brand":"Emiko Aida","offers":[{"title":"Default Title","offer_id":62976742916426,"sku":null,"price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/files\/Swimaround2_4f30459b-2bb5-476d-8b2c-ea9efe5aa985.jpg?v=1786960486"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1049\/3011\/5914\/collections\/LouisVuitton2024.jpg?v=1782717459","url":"https:\/\/www.asianartbridge.com\/zh-hant\/collections\/figurative.oembed?page=3","provider":"Asian Art Bridge Store","version":"1.0","type":"link"}