Luc HO
Lê Bá Đảng Artwork Expert, Photo & Visual Artist
Artist working across painting, photography and video, trained in 16/35 mm filmmaking at the Louis-Lumière National School of Cinema and in digital video at Gobelins, School of Visual Arts, Luc HO has continually explored new ways of seeing by inventing creative processes and hybrid forms at the crossroads of multiple techniques.
He is also the universal legatee of the patrimonial and moral rights of the work of artist, printmaker and sculptor Lê Bá Đảng (Lebadang). He holds all prerogatives required to authorize the reproduction, distribution and exploitation of the artist’s work. He provides expertise and authentication services for auction houses and private collectors.
In 2015, together with Myshu Lebadang, he organized the donation of a group of works on paper to the Cernuschi Museum in Paris, showcasing the full scope of Lebadang’s artistic research and technical innovations in the field of printmaking.
PUBLICATIONS
In 2018, he directed Genesis for Éditions lelivredart, a facsimile of a sketchbook of India‑ink drawings dating from 1960. This set of 46 drawings depicts Lebadang’s vision of the evolution of the species.
On 11 March 2022, the first monograph Lebadang 1921–2015 was published by Éditions lelivredart under his direction. The bilingual French‑English volume aims to contribute to the international recognition of the artist’s work.
ARTISTIC DIRECTION
In April 2019, he became Artistic Director of the Lebadang Memory Space, located in Kim Sơn, Huế, Vietnam. This private museum features contemporary architecture inspired by Lebadang’s Spaces and houses a private collection.
For 2026–2027, he is preparing the exhibition LEBADANG – Landscape of the Soul, which will present the legacy donated by Myshu Lebadang to the Lebadang Memory Space within the museum’s collections.
PROFESSIONAL EXPERIENCE
1974–1980
Training in visual arts and art history at the École municipale Édouard‑Manet (Gennevilliers) and the Académie de la Grande‑Chaumière (Paris). Early practices in film photography and black‑and‑white printing.
1980–1991
Figurative oil paintings with bodies seen from above, colored flat areas, and word‑titles disrupting the surface. Appearance and disappearance of a body. Difference and repetition where the same is always other.
1991–1993
Printmaking and lithography (Atelier Babette Pons). Development of a personal technique for oxidizing metals (copper, steel, zinc) using adhesive‑tape masking and ferric chloride. Nitric‑acid washes on steel. Machining, polishing of surfaces, and assembly with recessed or protruding material inserts.
1993–1994
Acid drawings using ferric chloride and mold on paper. Photographic capture of the decomposition process. A study of the ephemeral and disappearance.
1993–1995
Photographic series on the organic inspired by Georges Bataille’s work, exploring an erotics of bodies (view from above, blur, overexposure, superimposition, black‑and‑white, and cross‑processing E6–C41). The real and its double.
1995–2003
Experimental videos, found footage, mashups, and interactive animations using Macromedia Flash.
2003–2010
Series of 25 interactive animations based on fragmentation, discontinuity and randomness, inspired by the films of Ingmar Bergman, Francis Ford Coppola, Samuel Fuller, Alfred Hitchcock, Stanley Kubrick, David Lynch, Chris Marker, Christopher Nolan, Sergueï Paradjanov, Gus Van Sant, M. Night Shyamalan and Lars Von Trier.
2014–2022
Recent works on fragmentation and surface organization: oil paintings after Caravaggio and Velázquez, and digital paintings after Théodore Géricault (Le radeau de la Méduse) and Titian (The Crowning with Thorns).
2017
Condensed cinematic sequences from Lost Highway by David Lynch (1 frame per shot) and The Shape of Water by Guillermo del Toro (2 seconds per shot).
2020–2021
Cinematic mashups based on works by Dario Argento, Alfred Hitchcock, Aki Kaurismäki, and Takeshi Kitano.
2023
Digital paintings after Édouard Manet’s Le Déjeuner sur l’herbe.
2024
Digital paintings after Cain and Abel by Lionello Spada.
2025
Digital paintings after Judith and Holofernes by Artemisia Gentileschi.
2026
Digital paintings after the photographer Nobuyoshi Araki.